1 00:00:19,400 --> 00:00:21,239 - Goodbye. - Good evening. 2 00:00:38,159 --> 00:00:41,600 - The Virgin and Child, a recurring theme in Raphaël's work. 3 00:00:41,920 --> 00:00:43,200 Oh yeah? Mm. 4 00:00:43,520 --> 00:00:46,080 Do you see that apple right there? 5 00:00:46,400 --> 00:00:50,120 That is the fruit of sin. In the Garden of Eden. 6 00:00:50,440 --> 00:00:54,040 In the jar is the remedy against snakebite. 7 00:00:54,840 --> 00:00:56,080 Against Satan, 8 00:00:57,160 --> 00:00:59,360 against the angel of darkness. 9 00:00:59,880 --> 00:01:04,080 - Oh yeah? You really write stuff like that in your book? 10 00:01:04,400 --> 00:01:05,200 - Yeah. 11 00:01:12,680 --> 00:01:14,360 Do you believe in the devil? 12 00:01:15,040 --> 00:01:18,240 Ladies and gentlemen, the museum will close its doors. 13 00:01:18,560 --> 00:01:20,800 Please return to the exit. 14 00:01:21,120 --> 00:01:22,160 - Shall we? 15 00:01:27,120 --> 00:01:28,080 - (Don't move.) 16 00:01:28,400 --> 00:01:29,360 Shh. 17 00:01:33,000 --> 00:01:34,280 He whistles. 18 00:02:17,880 --> 00:02:19,680 Steps sound. 19 00:02:23,560 --> 00:02:51,639 ... 20 00:02:52,680 --> 00:02:54,000 Eva! 21 00:03:04,000 --> 00:03:08,240 Eva! 22 00:03:11,120 --> 00:03:14,760 Look, this is fake! Look, it doesn't do anything! 23 00:03:16,040 --> 00:03:17,720 It's plastic! 24 00:03:19,480 --> 00:03:20,360 Eva! 25 00:03:23,440 --> 00:03:25,600 - You're such an idiot! - No, 26 00:03:25,919 --> 00:03:28,120 but... - Damn, you're stupid! 27 00:03:28,440 --> 00:03:30,960 - All right! - Your crappy weekend, 28 00:03:31,280 --> 00:03:34,240 you don't give a shit! - Take it easy. 29 00:03:34,560 --> 00:03:37,360 The hotel is this way. - Shut the fuck up! 30 00:03:37,880 --> 00:03:39,360 - All right, you're on your own. 31 00:03:39,680 --> 00:04:27,680 ... 32 00:04:28,000 --> 00:04:29,480 Message beep. 33 00:04:45,000 --> 00:04:47,500 Captain Verlay: I need to talk to you. 34 00:04:48,920 --> 00:04:52,440 This statement, he doesn't know he did it to me, 35 00:04:52,760 --> 00:04:55,680 but he did it to me. I know he did! 36 00:04:57,600 --> 00:05:02,240 "I need to talk to you." It's his text message. I didn't open it. 37 00:05:02,560 --> 00:05:06,160 When he sees me, he's going to want to make some declaration to me. 38 00:05:06,480 --> 00:05:10,440 Is that good or bad? Because I don't understand anymore. 39 00:05:10,760 --> 00:05:12,040 When you want, he doesn't want. 40 00:05:12,360 --> 00:05:15,640 And when he wants, you don't know anymore. I don't know anymore either. 41 00:05:15,960 --> 00:05:18,160 - All I know is that I'm paralyzed. 42 00:05:18,480 --> 00:05:21,040 I'm going through a complicated period. 43 00:05:21,360 --> 00:05:24,839 I've lost my appetite, I can't sleep. Hiccup. 44 00:05:25,920 --> 00:05:29,680 I've had hiccups all morning! - Mme. Chassagne, you need to eat. 45 00:05:30,000 --> 00:05:32,080 And you have to sleep, too. 46 00:05:32,400 --> 00:05:34,279 This is very important. 47 00:05:34,600 --> 00:05:37,880 Otherwise, I don't see how I can help you. 48 00:05:38,200 --> 00:05:41,440 I don't understand anything anymore. I don't understand how 49 00:05:41,760 --> 00:05:45,360 a little text like this has put me in such a state! 50 00:05:45,680 --> 00:05:46,880 I can no longer 51 00:05:47,200 --> 00:05:51,080 work with him. I'm going on sick leave for 52 00:05:51,400 --> 00:05:54,920 one or two months. And then some. - Mme Chassagne. 53 00:05:55,240 --> 00:05:57,240 - I'm going to get some fresh air. 54 00:06:00,760 --> 00:06:02,720 - Did she tell you about me? 55 00:06:03,040 --> 00:06:03,800 - Huh? 56 00:06:04,120 --> 00:06:06,080 - Did she mention me? - No. 57 00:06:06,400 --> 00:06:10,480 - I texted her. Once it was gone, I thought: 58 00:06:10,800 --> 00:06:11,960 "Oh fuck!" 59 00:06:12,279 --> 00:06:14,320 - Antoine, she didn't speak 60 00:06:14,640 --> 00:06:17,800 about you. Captain, the prosecutor's on the phone. 61 00:06:18,880 --> 00:06:19,680 - I'm on my way. 62 00:06:20,000 --> 00:06:21,120 I'll be right back. - Yes. 63 00:06:21,440 --> 00:06:23,839 - Yes, Madam Prosecutor. 64 00:06:27,560 --> 00:06:31,160 - Did he mention me? - So, this won't be possible. 65 00:06:31,480 --> 00:06:34,360 - What did he say? - Mme. Chassagne, you need to see 66 00:06:34,680 --> 00:06:37,080 a shrink for your anxieties. 67 00:06:37,400 --> 00:06:40,279 I'm in charge of a police department. - Yes. 68 00:06:40,600 --> 00:06:44,320 - If not, I'll get the time off. - Oh no, no! 69 00:06:44,640 --> 00:06:46,839 - Where do you think you are? - Er... 70 00:06:52,440 --> 00:06:53,560 We have a homicide 71 00:06:53,880 --> 00:06:57,320 at the Château de Chantilly. The prosecutor wants us to go. 72 00:06:57,640 --> 00:06:59,080 - Go ahead. Hiccup. 73 00:07:00,800 --> 00:07:02,480 A big glass of water 74 00:07:02,800 --> 00:07:03,720 and off we go. 75 00:07:05,800 --> 00:07:07,120 Come on, really. 76 00:07:08,200 --> 00:07:10,680 Come on, let's go. Go on, get out of here. Now. 77 00:07:12,560 --> 00:07:15,000 Mme. Chassagne, did you receive 78 00:07:15,320 --> 00:07:18,800 my message this morning? - Yes, but I haven't read it. 79 00:07:19,120 --> 00:07:22,840 This is not the time, Captain. - Just a moment. 80 00:07:23,480 --> 00:07:27,400 How do you know it's not if you haven't read it yet? 81 00:07:28,240 --> 00:07:32,760 - Listen, I'm going through a complicated period. I've lost my appetite, 82 00:07:33,080 --> 00:07:35,080 I don't sleep anymore... Hiccup. 83 00:07:35,600 --> 00:07:37,440 You see! 84 00:07:37,760 --> 00:07:39,560 So, it's... 85 00:07:40,280 --> 00:07:41,440 It's meh. 86 00:07:41,760 --> 00:07:44,200 So, if we could limit our exchanges 87 00:07:44,520 --> 00:07:48,280 to work, and only at work, well... 88 00:07:49,280 --> 00:07:52,040 ... well, that would be great. Wouldn't it? 89 00:07:52,720 --> 00:07:54,520 - Okay, yes. - Thank you. 90 00:07:56,600 --> 00:07:59,280 Captain, it's time. Yes, sorry. 91 00:08:00,520 --> 00:08:01,720 ("Meh"?) 92 00:08:31,320 --> 00:08:32,920 - Good afternoon. - Good afternoon. 93 00:08:35,880 --> 00:08:37,080 Thank you. - Put these on. 94 00:08:38,120 --> 00:08:38,880 - Good afternoon. 95 00:08:39,200 --> 00:08:39,960 Thank you. 96 00:08:40,280 --> 00:08:43,880 - We found it here this morning. I've never seen anything like it. 97 00:08:44,200 --> 00:08:45,360 - Really? 98 00:08:45,679 --> 00:08:48,400 - We'll have to take photos, too. 99 00:09:08,120 --> 00:09:09,000 - The body moved? 100 00:09:09,320 --> 00:09:12,040 Was it there? - Yes. 101 00:09:12,360 --> 00:09:16,200 He stabbed him there and dragged him here to do this staging. 102 00:09:20,120 --> 00:09:22,600 - He was posed like that. - May I? 103 00:09:22,920 --> 00:09:24,120 - Yes, it's fine. 104 00:09:24,440 --> 00:09:27,120 -No fingerprints. 105 00:09:27,440 --> 00:09:28,960 The killer put it there. 106 00:09:29,280 --> 00:09:30,240 Vasari. 107 00:09:30,559 --> 00:09:32,320 Does it mean anything to you? - I... 108 00:09:32,640 --> 00:09:34,360 - Giorgio Vasari. 109 00:09:34,679 --> 00:09:38,320 He was an Italian from the 16th century. He was the first to write 110 00:09:38,640 --> 00:09:41,240 biographies of the painters. 111 00:09:41,559 --> 00:09:44,880 The book has been corned to Raphaël's page. 112 00:09:45,200 --> 00:09:46,520 - OK. So what? 113 00:09:48,160 --> 00:09:49,200 You think 114 00:09:49,520 --> 00:09:52,800 he plays? Is he trying to tell us something? 115 00:09:54,480 --> 00:09:56,920 Mme. Chassagne? It's obvious. 116 00:09:57,240 --> 00:10:00,520 - What? - Memorize it carefully. Look at it. 117 00:10:00,840 --> 00:10:02,600 Yes. 118 00:10:02,920 --> 00:10:03,960 Good? 119 00:10:04,280 --> 00:10:05,559 - Yes. - Follow me. 120 00:10:06,760 --> 00:10:07,880 This way. 121 00:10:14,600 --> 00:10:18,280 - Damn! It's all the way to ceiling. Totally sick! 122 00:10:18,600 --> 00:10:22,800 - The Duc d'Aumale bequeathed the château as long as we don't touch anything. 123 00:10:23,120 --> 00:10:26,960 In other words, it's all about hanging. It dates back to 1886. 124 00:10:27,679 --> 00:10:29,280 It's crazy! - Yes. 125 00:10:29,600 --> 00:10:32,000 - Yes, it feels like the 19th century. 126 00:10:33,960 --> 00:10:37,400 - The guy did all the flea markets in France. 127 00:10:37,720 --> 00:10:40,280 It's loaded, though. - It's here. 128 00:10:40,600 --> 00:10:41,400 Come. 129 00:10:42,280 --> 00:10:44,640 Take a good look at this picture. 130 00:10:45,200 --> 00:10:46,040 What is it? 131 00:10:46,360 --> 00:10:47,240 - A Raphaël. 132 00:10:47,559 --> 00:10:51,240 - Yes, OK, not that. Check out the picture. What do you see? 133 00:10:51,760 --> 00:10:54,120 - A baby. - No, concentrate. 134 00:10:54,440 --> 00:10:56,920 - I'm focused. - The blue cover. 135 00:10:57,240 --> 00:10:58,320 Yes. Yes? 136 00:10:58,640 --> 00:11:00,920 The pillow. Do you have it? 137 00:11:01,520 --> 00:11:02,280 The veil? 138 00:11:02,600 --> 00:11:04,080 The green veil. 139 00:11:10,559 --> 00:11:11,600 - Ah, fuck! 140 00:11:11,920 --> 00:11:13,760 - The killer imitated it. 141 00:11:19,120 --> 00:11:20,160 Why are you looking at me like that? 142 00:11:20,760 --> 00:11:22,160 - You're great. 143 00:11:24,400 --> 00:11:25,480 - Thank you. 144 00:11:27,760 --> 00:11:28,520 - Yeah? 145 00:11:29,160 --> 00:11:32,600 - You're the last person to have seen him. 146 00:11:32,920 --> 00:11:34,600 - And he was alive. 147 00:11:34,920 --> 00:11:37,240 So, he makes this joke, 148 00:11:37,559 --> 00:11:41,520 not funny, indeed. What's next? - We had a fight 149 00:11:41,840 --> 00:11:43,600 and then, I don't know. 150 00:11:43,920 --> 00:11:46,640 I wasn't going to stay with him after that. 151 00:11:47,400 --> 00:11:50,280 - Mr. Bergman wrote a detective story 152 00:11:50,600 --> 00:11:53,280 about this painter? I believe so, yes. 153 00:11:53,600 --> 00:11:56,800 - It's Raphaël. Do you know if he used 154 00:11:57,120 --> 00:11:58,960 this painting? 155 00:11:59,280 --> 00:12:03,040 No manuscript has ever been found. - I don't know. 156 00:12:03,360 --> 00:12:07,080 I'd known him for 15 days. He lived with 157 00:12:07,400 --> 00:12:10,200 a certain Alice Laurent. 158 00:12:10,520 --> 00:12:13,000 Did you know that? - Yes. 159 00:12:13,320 --> 00:12:15,160 - She was aware 160 00:12:15,480 --> 00:12:18,480 of your little weekend? I don't know, 161 00:12:18,800 --> 00:12:19,559 I guess so, yes. 162 00:12:20,640 --> 00:12:23,880 Nathan was not the kind to take the gloves off. 163 00:12:24,200 --> 00:12:26,720 - I know what you mean. 164 00:12:35,760 --> 00:12:38,440 You studied art history? 165 00:12:38,760 --> 00:12:39,679 Paris 1? 166 00:12:41,480 --> 00:12:44,360 - I met Nathan there. 167 00:12:47,000 --> 00:12:50,000 - Does this painting mean anything to you? 168 00:12:50,480 --> 00:12:52,800 - Uh, yes. Yes, it's... 169 00:12:54,120 --> 00:12:58,240 "The Virgin of Loreto". He wrote his master's thesis on it. 170 00:12:58,559 --> 00:12:59,400 Why? 171 00:12:59,720 --> 00:13:03,240 - This painting depicts the Virgin Mary with her son Jesus 172 00:13:03,559 --> 00:13:05,200 who plays 173 00:13:05,520 --> 00:13:07,760 with a veil. Yes. 174 00:13:08,080 --> 00:13:10,080 - You know that this veil 175 00:13:10,400 --> 00:13:13,400 announces the tragic end of Christ. 176 00:13:13,720 --> 00:13:15,640 It's like a shroud. 177 00:13:18,400 --> 00:13:19,240 - Yes. 178 00:13:19,559 --> 00:13:23,120 - You wouldn't have tried to crucify your beautiful sweetheart? 179 00:13:31,840 --> 00:13:33,559 Out of jealousy, maybe? 180 00:13:42,920 --> 00:13:46,600 Mlle. Laurent, do you have a history with this painting? 181 00:13:46,920 --> 00:13:48,600 But no, I... 182 00:13:48,920 --> 00:13:51,600 I don't have any history with this painting. 183 00:13:53,000 --> 00:13:55,840 This picture was Nathan's job, 184 00:13:56,160 --> 00:13:57,080 that's all. 185 00:13:58,840 --> 00:14:00,559 - And in his novel? 186 00:14:01,160 --> 00:14:03,360 - His novel? Did he use it 187 00:14:03,679 --> 00:14:06,160 to write his novel? Yes or no? 188 00:14:12,880 --> 00:14:13,760 - (Ah yes.) 189 00:14:14,880 --> 00:14:16,280 Yes, all right. 190 00:14:17,280 --> 00:14:20,280 That's what he would talk about to his girlfriends. 191 00:14:22,560 --> 00:14:23,760 He wrote 192 00:14:24,080 --> 00:14:24,880 a novel. 193 00:14:25,720 --> 00:14:27,440 - What did he write? 194 00:14:27,760 --> 00:14:32,760 - Nathan didn't write anything. He was just a document researcher. 195 00:14:33,080 --> 00:14:35,920 He was researching 196 00:14:36,240 --> 00:14:39,040 Raphaël for Patricia Richter. 197 00:14:41,000 --> 00:14:42,560 - Sorry, for whom? 198 00:14:42,880 --> 00:14:44,360 - Who's that? 199 00:14:44,680 --> 00:14:46,760 She's a novelist. 200 00:14:47,640 --> 00:14:49,400 Don't you know her? 201 00:14:49,720 --> 00:14:51,320 - No, I... 202 00:14:53,200 --> 00:14:55,000 Mme. Chassagne? Yes? 203 00:14:55,320 --> 00:14:58,160 What are you doing? I'll be back. 204 00:14:58,480 --> 00:15:02,240 I just thought of something. I'll be right back. 205 00:15:08,240 --> 00:15:11,960 He never wrote anything, in fact. That was Ritcher. 206 00:15:12,280 --> 00:15:13,120 - Richter. 207 00:15:13,880 --> 00:15:18,040 It's Patricia Richter. - Richter. She publishes a bestseller per year. 208 00:15:18,360 --> 00:15:23,400 She can easily pay a guy to do research. 209 00:15:23,720 --> 00:15:26,040 - Nothing on Bergman's computer? 210 00:15:26,360 --> 00:15:29,520 - No. His girl says that Richter is paranoid, 211 00:15:29,840 --> 00:15:32,400 that he keeps everything at home. 212 00:15:32,720 --> 00:15:34,120 - Summon her. 213 00:15:34,440 --> 00:15:37,760 I want to know what she knows on the evidence board. 214 00:15:41,040 --> 00:15:43,400 - (See? Since this morning...) 215 00:15:46,680 --> 00:15:49,440 (She's like that.) - It seems she didn't sleep well. 216 00:15:49,760 --> 00:15:50,960 - Not to me. 217 00:15:51,280 --> 00:15:55,520 - Keep a low profile. I don't want to have the whole press on our backs. 218 00:15:55,840 --> 00:15:59,400 - Yes, I'm fine, as usual. - Yes, but I'll say it again. 219 00:15:59,720 --> 00:16:01,600 Discretion. Velvet curtain. 220 00:16:07,000 --> 00:16:08,920 - Are you okay, Mme. Chassagne? 221 00:16:09,240 --> 00:16:11,480 Shall we go to the interrogation room? 222 00:16:12,080 --> 00:16:14,880 What... - I'm getting some air. 223 00:16:15,200 --> 00:16:17,680 - You're indoors here. 224 00:16:18,000 --> 00:16:19,960 - I'm a bit meh. 225 00:16:23,880 --> 00:16:24,840 - Adèle. 226 00:16:26,840 --> 00:16:30,080 You summon her. The victim works for her. 227 00:16:30,400 --> 00:16:32,760 She's screaming. - Patricia Richter ! 228 00:16:33,080 --> 00:16:36,600 - What's up? - Is Patricia Richter coming here? 229 00:16:36,920 --> 00:16:38,600 - Yes, she's coming. - Oh my God! 230 00:16:38,920 --> 00:16:42,760 - OK! I'll call her publisher. - But is she really that famous? 231 00:16:43,080 --> 00:16:47,000 Is she Céline Dion or what? - Yes, she's quite well-known. 232 00:16:47,320 --> 00:16:50,040 She writes the Rosewater novels 233 00:16:50,360 --> 00:16:54,440 James who loves Kate, who loves Peter. I've never read one. 234 00:16:54,760 --> 00:16:58,000 - She writes Michael Danavan. - The what? 235 00:16:58,320 --> 00:17:01,720 - He's her hero. He solves cases. He rocks. 236 00:17:02,040 --> 00:17:03,040 - Really? 237 00:17:03,360 --> 00:17:05,400 - I love it. It's so hot. 238 00:17:05,720 --> 00:17:07,800 - Are you summoning her? Yes. 239 00:17:09,240 --> 00:17:13,840 *-And with this Mme. Richter, then, how did it go? 240 00:17:14,160 --> 00:17:16,880 *Were they close? It's okay. 241 00:17:17,200 --> 00:17:19,280 Richter is summoned. 242 00:17:19,600 --> 00:17:23,200 I can already see the dedication: "For Adèle, my faithful reader." 243 00:17:24,600 --> 00:17:25,760 Mme. Chassagne, 244 00:17:26,080 --> 00:17:29,560 don't act like you don't care. Your cover's blown. 245 00:17:30,520 --> 00:17:34,960 James, Kate and Peter? I can see Richter fans 200m away. 246 00:17:35,280 --> 00:17:38,800 But I can understand: a great researcher like you, 247 00:17:39,119 --> 00:17:41,920 for your image, it's not the best. 248 00:17:42,240 --> 00:17:45,600 I wouldn't have thought that of you. - No, I'm sorry, 249 00:17:45,920 --> 00:17:49,320 but I'm not a fan of Richter. - But you've read some. 250 00:17:49,640 --> 00:17:50,640 - I've read some. 251 00:17:51,920 --> 00:17:54,040 But I've read one or... 252 00:17:54,359 --> 00:17:57,800 If I've read three, that is, was when I was a teenager, 253 00:17:58,119 --> 00:17:59,680 that's the maximum. 254 00:18:00,000 --> 00:18:02,280 - No, but relax, 255 00:18:02,600 --> 00:18:05,080 it's just between us. - I hope so, 256 00:18:05,400 --> 00:18:08,040 especially since there's nothing to share. 257 00:18:08,359 --> 00:18:10,640 - We need your help. - I'm on my way. 258 00:18:14,160 --> 00:18:14,920 - (Shit!) 259 00:18:30,240 --> 00:18:31,440 - Ah, it's her. 260 00:18:32,240 --> 00:18:33,080 Ah! 261 00:18:34,560 --> 00:18:38,480 - No, eh, Adèle... Adèle, it's only an interview. 262 00:18:38,800 --> 00:18:41,200 You're forgetting about Michael Danavan, 263 00:18:41,520 --> 00:18:43,720 and we'll do our job. 264 00:18:44,520 --> 00:18:46,920 Wipe that smile off your face. 265 00:18:49,000 --> 00:18:50,480 Mme. Richter? Yes. 266 00:18:50,800 --> 00:18:52,800 Captain Verlay. Ah, very good. 267 00:18:53,119 --> 00:18:54,640 May I present Mme. Chassagne. 268 00:18:55,920 --> 00:18:58,080 - Adèle Attias. - Good afternoon. 269 00:18:58,400 --> 00:19:02,359 What happened? - We'll explain. Please come this way. 270 00:19:02,680 --> 00:19:05,880 Adèle, you will take the file, please? 271 00:19:06,200 --> 00:19:07,720 - Captain? - Yes? 272 00:19:08,560 --> 00:19:09,640 Excuse me. 273 00:19:18,240 --> 00:19:19,000 Here. 274 00:19:20,320 --> 00:19:24,000 Mme. Richter, this is confidential. You can't look at this. 275 00:19:24,320 --> 00:19:26,080 It's not at all... 276 00:19:26,840 --> 00:19:29,720 That's exactly as in the novel 277 00:19:30,040 --> 00:19:32,520 I'm currently writing. 278 00:19:32,840 --> 00:19:34,960 - What do you mean by that? - What? 279 00:19:36,920 --> 00:19:38,280 I make death 280 00:19:38,600 --> 00:19:40,359 my hero like that, 281 00:19:40,680 --> 00:19:43,640 imitating Raphael's painting. 282 00:19:44,400 --> 00:19:46,680 "Michael Danavan lay there, 283 00:19:47,000 --> 00:19:50,040 "pale and motionless, on a white pillow. 284 00:19:51,280 --> 00:19:53,560 "His blood barely stained 285 00:19:53,880 --> 00:19:55,320 "the sheet, 286 00:19:56,200 --> 00:19:59,520 "eyes half-closed under the veil 287 00:19:59,840 --> 00:20:01,200 "which served as 288 00:20:01,520 --> 00:20:02,720 "his shroud." 289 00:20:07,480 --> 00:20:08,480 There's even 290 00:20:08,800 --> 00:20:10,640 Vasari's book. 291 00:20:21,080 --> 00:20:24,119 - You haven't told anyone this ending? 292 00:20:24,440 --> 00:20:25,800 Only my editor. 293 00:20:26,119 --> 00:20:28,840 But I don't see why Thomas 294 00:20:29,160 --> 00:20:31,520 would have killed my researcher. 295 00:20:32,600 --> 00:20:34,520 - Mme. Richter. Patricia. 296 00:20:34,840 --> 00:20:37,119 - Sorry, no signatures today. 297 00:20:58,640 --> 00:21:01,600 - The manuscript never leaves your home? 298 00:21:01,920 --> 00:21:04,520 - No, it stays in my office. 299 00:21:07,960 --> 00:21:11,160 - I'm so sorry. - I'm a maniac on the subject. 300 00:21:12,240 --> 00:21:14,760 Come on, you'll understand. 301 00:21:15,680 --> 00:21:19,600 - Why did you kill Danavan? - I've written so many. 302 00:21:19,920 --> 00:21:22,320 I had to move on. 303 00:21:22,640 --> 00:21:25,840 It was beginning to feel like work. 304 00:21:26,920 --> 00:21:30,320 - This is where you worked with Nathan Bergman? 305 00:21:30,640 --> 00:21:32,560 Was this his desk? 306 00:21:33,560 --> 00:21:34,320 - Yes. 307 00:21:35,119 --> 00:21:37,800 We were talking about the investigation on Raphaël. 308 00:21:38,119 --> 00:21:40,400 He was explaining the paintings to me. 309 00:21:40,720 --> 00:21:43,119 His research remained here. 310 00:21:52,440 --> 00:21:55,359 The manuscript is in there. 311 00:21:58,400 --> 00:22:00,000 Keys beep. 312 00:22:04,119 --> 00:22:06,640 - Apart from you, who has the code? 313 00:22:07,840 --> 00:22:09,119 - No one. 314 00:22:09,440 --> 00:22:10,600 And I change it every month. 315 00:22:10,920 --> 00:22:14,240 This is the only copy. 316 00:22:16,920 --> 00:22:20,640 I make a backup every evening and I erase the text from my computer. 317 00:22:20,960 --> 00:22:23,840 I'm wary of hacking. 318 00:22:27,880 --> 00:22:32,359 Did Nathan Bergman read the ending? Obviously, yes. But he knew 319 00:22:32,680 --> 00:22:36,359 if he didn't want to be fired, he had to keep his mouth shut. 320 00:22:36,680 --> 00:22:39,720 - The manuscript never saw the light of day from here? 321 00:22:40,040 --> 00:22:42,400 - I took it to my publisher 322 00:22:42,720 --> 00:22:45,359 and I returned it here the same evening. 323 00:22:45,680 --> 00:22:48,280 Thomas would be my top suspect. 324 00:22:48,840 --> 00:22:49,840 - What about you? 325 00:22:53,080 --> 00:22:56,119 - Yes, who knew the end but you? 326 00:22:56,680 --> 00:22:58,000 - Yes, I see.... 327 00:22:59,119 --> 00:23:03,240 Now you're thinking that maybe I'm the murderer. 328 00:23:05,440 --> 00:23:07,600 - Where were you last night? 329 00:23:08,680 --> 00:23:09,560 - Here. 330 00:23:09,880 --> 00:23:12,880 No one can testify to that. I was alone. 331 00:23:14,040 --> 00:23:15,320 No alibi. 332 00:23:16,240 --> 00:23:17,200 - OK. 333 00:23:18,440 --> 00:23:20,359 - Let me guess. 334 00:23:20,680 --> 00:23:23,840 You say to yourself that it could be me. 335 00:23:24,680 --> 00:23:28,720 But why would I put you on the trail of my manuscript? 336 00:23:31,280 --> 00:23:32,040 - Yes. 337 00:23:32,359 --> 00:23:36,560 But you also tell yourself that with my twisted novelist's mind, 338 00:23:37,880 --> 00:23:42,000 it would be up to me to try to put you in my pocket 339 00:23:42,320 --> 00:23:44,680 and ward off suspicion. 340 00:23:45,000 --> 00:23:48,720 It would even be smart of me. But you don't have a motive. 341 00:23:49,040 --> 00:23:52,440 And of course, to make a good story, 342 00:23:52,760 --> 00:23:55,240 you need a motive. - That's right. 343 00:23:55,560 --> 00:23:56,600 - Why is this so? 344 00:23:56,920 --> 00:24:00,800 I would have killed my researcher by imitating my own novel? 345 00:24:01,119 --> 00:24:05,119 - But why did the murderer exactly stage 346 00:24:05,440 --> 00:24:07,200 the end of your novel? 347 00:24:12,720 --> 00:24:14,119 - Mme. Richter? 348 00:24:15,920 --> 00:24:20,119 - Nathan had seen that I was nearing the end with Danavan. 349 00:24:23,040 --> 00:24:28,200 He suggested I write one last novel and make him die. 350 00:24:34,359 --> 00:24:35,280 - It would be revenge. 351 00:24:35,600 --> 00:24:37,840 Is that what you're saying? 352 00:24:38,160 --> 00:24:42,320 Bergman was killed because she killed off Michael Danavan? 353 00:24:43,320 --> 00:24:45,160 - Who else knew? 354 00:24:45,920 --> 00:24:48,640 - It was supposed to stay between him and me. 355 00:24:48,960 --> 00:24:52,600 - OK. Either Bergman leaked it, or your walls have ears. 356 00:24:52,920 --> 00:24:56,280 Could I ask your staff? 357 00:24:56,600 --> 00:24:57,440 - Of course you can. 358 00:24:58,520 --> 00:24:59,520 Follow me. 359 00:25:02,000 --> 00:25:02,960 - Mme. Richter, 360 00:25:03,280 --> 00:25:05,440 the crime scene and all that, 361 00:25:05,760 --> 00:25:08,680 don't tell anyone. 362 00:25:10,880 --> 00:25:13,560 - You take me for a beginner? 363 00:25:21,320 --> 00:25:25,160 - Either someone has read the manuscript, or Bergman spoke to his wife. 364 00:25:25,480 --> 00:25:27,480 - Yes, but we can't prove it. 365 00:25:27,800 --> 00:25:31,080 We don't have enough on Alice Laurent. 366 00:25:31,400 --> 00:25:34,680 We have to let her go. *-Ah yes, damn it! 367 00:25:35,359 --> 00:25:39,160 I'll call you back. *-OK, that works. 368 00:25:56,720 --> 00:25:57,880 - Michelangelo? 369 00:25:58,960 --> 00:26:01,440 Why Michelangelo? It's all Raphaël. 370 00:26:01,760 --> 00:26:04,520 I admired that artist so much. 371 00:26:04,840 --> 00:26:08,200 - Yes, you did. You even wanted to go and see what he was doing 372 00:26:08,520 --> 00:26:13,520 in the Sistine Chapel. He didn't want anyone to come in. 373 00:26:14,200 --> 00:26:16,680 - Yes. A friend took me there in secret. 374 00:26:17,000 --> 00:26:22,240 - And what you saw there, you were absolutely captivated. 375 00:26:24,119 --> 00:26:28,440 You were dazzled by his work to the point of stealing his ideas. 376 00:26:34,280 --> 00:26:35,560 That cloth there, 377 00:26:35,880 --> 00:26:37,760 inflated by the wind. 378 00:26:39,960 --> 00:26:43,720 That's Michelangelo. And this is yours. 379 00:26:44,680 --> 00:26:47,359 Much the same, all the same. 380 00:26:47,680 --> 00:26:51,480 - He accused me of plagiarism. But he too, took things from me. 381 00:26:52,359 --> 00:26:54,480 He saw me as a rival. 382 00:26:54,800 --> 00:26:59,640 - Because you were very good, you could have imitated anyone. 383 00:26:59,960 --> 00:27:02,600 You even imitated Da Vinci. 384 00:27:04,320 --> 00:27:06,560 - I wanted to measure myself against them. 385 00:27:06,880 --> 00:27:10,359 I was their best pupil without them having ever 386 00:27:10,680 --> 00:27:12,840 taught me any lessons. 387 00:27:13,160 --> 00:27:16,200 - "Your painter is a dirty thief like you!" 388 00:27:16,920 --> 00:27:18,760 No one from outside the house 389 00:27:19,080 --> 00:27:21,680 came in here? 390 00:27:22,000 --> 00:27:23,880 - No. Mme. Richter! 391 00:27:26,760 --> 00:27:27,840 Captain! 392 00:27:28,160 --> 00:27:30,960 We're here. Don't move, I'm coming. 393 00:27:32,520 --> 00:27:33,520 - Thank you. 394 00:27:35,160 --> 00:27:36,160 - Have a look what I found. 395 00:27:36,480 --> 00:27:41,040 - "Your painter is a dirty thief like you!" 396 00:27:41,359 --> 00:27:45,600 This is Thierry's handwriting, but I don't know why he wrote that. 397 00:27:45,920 --> 00:27:47,960 - Who's Thierry? 398 00:27:48,280 --> 00:27:52,359 - Thierry Françon, my other researcher, with whom I wrote 399 00:27:52,680 --> 00:27:55,880 all the Danavans. Well, except for the last one. 400 00:27:56,200 --> 00:27:56,960 He was fired? 401 00:27:57,280 --> 00:27:58,440 No! 402 00:27:58,760 --> 00:28:02,200 He's working on one of my other novel projects. 403 00:28:02,880 --> 00:28:03,960 - I don't know this project is, 404 00:28:04,280 --> 00:28:08,480 but Mr. Françon doesn't look very happy. 405 00:28:24,480 --> 00:28:26,320 - Good afternoon. 406 00:28:38,400 --> 00:28:39,720 You were the one 407 00:28:40,040 --> 00:28:42,280 who sent this to Nathan Bergman? 408 00:28:44,840 --> 00:28:47,760 - Yes, it was just some documentation 409 00:28:48,080 --> 00:28:49,000 to help. 410 00:28:49,320 --> 00:28:52,400 - Helping someone who stole your place 411 00:28:52,720 --> 00:28:54,200 is generous. 412 00:28:55,880 --> 00:28:58,880 - Especially since Bergman's arrival was no gift to you. 413 00:28:59,560 --> 00:29:00,680 He sent you 414 00:29:01,000 --> 00:29:04,400 sweet nothings. We found this at your place. 415 00:29:04,720 --> 00:29:09,360 "Working with Patricia. I'm thinking of you, Nathan." 416 00:29:10,320 --> 00:29:12,200 He's taunting you right there. 417 00:29:12,800 --> 00:29:14,840 That's not very nice. 418 00:29:15,160 --> 00:29:16,640 - That's mean. 419 00:29:20,280 --> 00:29:24,000 - Apparently, he found pleasure in putting you down. 420 00:29:25,120 --> 00:29:29,400 - You know this picture, Mr. Françon? It's a painting 421 00:29:29,720 --> 00:29:33,760 by Raphaël: "Self-portrait with a friend". This is Raphaël, 422 00:29:34,080 --> 00:29:36,680 and this is supposed to be 423 00:29:37,000 --> 00:29:41,120 the painter Giulio Romano. His friend, but above all, also 424 00:29:41,440 --> 00:29:44,560 his closest collaborator. A sort of... 425 00:29:44,880 --> 00:29:47,080 How should I put it? 426 00:29:47,400 --> 00:29:49,160 He was a kind of 427 00:29:49,480 --> 00:29:52,600 spiritual son, spiritual heir. 428 00:29:52,920 --> 00:29:55,720 A little like you at Richter's. 429 00:29:57,800 --> 00:30:01,240 Anything you shared with Patricia Richter, 430 00:30:03,600 --> 00:30:05,160 she would 431 00:30:05,480 --> 00:30:06,760 then share 432 00:30:07,080 --> 00:30:09,080 with Nathan Bergman. 433 00:30:11,320 --> 00:30:13,720 Were they sleeping together? 434 00:30:14,960 --> 00:30:15,720 - No. 435 00:30:17,160 --> 00:30:22,360 - How can you be sure? - Patricia thinks of nothing but her novels. 436 00:30:23,280 --> 00:30:27,200 She needs to be admired, that's all. He needs his... 437 00:30:27,840 --> 00:30:29,040 his court. 438 00:30:29,360 --> 00:30:32,240 I knew Patricia would end up 439 00:30:32,560 --> 00:30:37,680 bored with Nathan, whom she wouldn't take more interest in than a book. 440 00:30:38,360 --> 00:30:42,920 - Except that this book is... is now the last in the series, 441 00:30:44,000 --> 00:30:45,120 finally. 442 00:30:47,280 --> 00:30:49,600 - I have your cell phone here. 443 00:30:50,560 --> 00:30:52,280 With this on it... 444 00:30:52,600 --> 00:30:56,360 *-Hello Thierry, this is Nathan. This is to tell you that Danavan 445 00:30:56,680 --> 00:31:01,160 *is finished. So, you see, Patricia followed my advice. 446 00:31:01,480 --> 00:31:04,040 *Don't worry, she'll kill him in style. 447 00:31:04,360 --> 00:31:05,840 *Anyway, see you later. 448 00:31:07,520 --> 00:31:09,320 - So, it stings you that 449 00:31:09,640 --> 00:31:11,680 your novelist 450 00:31:12,000 --> 00:31:13,920 shoots your hero. 451 00:31:15,520 --> 00:31:16,720 You are 452 00:31:17,040 --> 00:31:18,040 avenged. 453 00:31:19,680 --> 00:31:24,720 - I didn't do it. Everything with the painting 454 00:31:25,040 --> 00:31:26,840 by Raphaël, 455 00:31:27,160 --> 00:31:30,360 I didn't know. Don't tell me that after this message, 456 00:31:30,680 --> 00:31:33,560 you didn't check 457 00:31:33,880 --> 00:31:37,760 in the manuscript. I didn't have the code for the safe. 458 00:31:39,720 --> 00:31:41,680 And above all, I wanted 459 00:31:42,000 --> 00:31:46,320 Patricia to tell me herself. I should have warned Thierry. 460 00:31:46,640 --> 00:31:49,840 I was so involved in my writing. 461 00:31:50,600 --> 00:31:52,200 Believe it or not, 462 00:31:52,520 --> 00:31:55,880 in those moments, nothing else exists anymore. 463 00:31:56,200 --> 00:31:59,360 - Françon could be violent? - Not at all. 464 00:31:59,680 --> 00:32:01,760 Working on murder stories 465 00:32:02,080 --> 00:32:05,000 doesn't make you a murderer. 466 00:32:06,000 --> 00:32:08,720 I want to know who killed Nathan. 467 00:32:09,440 --> 00:32:11,880 You're wrong about Thierry. 468 00:32:12,400 --> 00:32:16,280 - Oh, yeah? You'd be surprised what we learn from some 469 00:32:16,600 --> 00:32:19,920 people after a night in police custody. 470 00:32:20,440 --> 00:32:23,040 - If Thierry had killed someone, 471 00:32:23,360 --> 00:32:26,200 would he have left all these traces? 472 00:32:26,520 --> 00:32:28,600 If I had written that, 473 00:32:28,920 --> 00:32:33,120 he would have made me throw it all away. That would have been very bad. 474 00:32:33,440 --> 00:32:35,920 - Even if you find it disappointing, 475 00:32:36,240 --> 00:32:39,600 a good motive often makes a good murderer. 476 00:32:45,320 --> 00:32:46,800 - Have you read 477 00:32:47,120 --> 00:32:49,600 my novels, Commander? - That is, I... 478 00:32:50,840 --> 00:32:53,000 I've... I started a... 479 00:32:54,360 --> 00:32:56,960 No. - You don't know anything about Thierry. 480 00:32:57,280 --> 00:33:01,080 You need to master the subject. I'll drop some off for you... 481 00:33:01,400 --> 00:33:03,200 a few copies. 482 00:33:05,240 --> 00:33:07,720 - You're very kind. You'll be surprised 483 00:33:08,040 --> 00:33:11,240 of all we can discover through reading. 484 00:33:12,840 --> 00:33:14,720 Good evening, Commander. 485 00:33:15,040 --> 00:33:15,920 - Good evening. 486 00:33:22,600 --> 00:33:24,080 Michelangelo. 487 00:33:24,400 --> 00:33:26,480 When you paint 488 00:33:26,800 --> 00:33:29,720 "The school of Athens", this character here, 489 00:33:30,040 --> 00:33:33,760 is Heraclitus. You have the features of Michelangelo. 490 00:33:34,080 --> 00:33:36,560 He was your exact opposite. 491 00:33:37,560 --> 00:33:40,920 He was shady and extremely angry. 492 00:33:41,240 --> 00:33:43,800 In fact, he was downright antisocial. 493 00:33:44,120 --> 00:33:48,600 - It's crazy, I painted him and yet he always considered me his rival. 494 00:33:48,920 --> 00:33:51,600 - There's even a famous story: 495 00:33:51,920 --> 00:33:56,240 in 1517, Julius de' Medici brought you an order for this kind of transfiguration, 496 00:33:56,560 --> 00:33:57,640 and exactly 497 00:33:57,960 --> 00:34:02,880 at the same time, he asked another painter for a second one, 498 00:34:03,200 --> 00:34:06,320 putting you in competition with each other. 499 00:34:07,120 --> 00:34:09,360 - Sebastiano del Piombo. 500 00:34:09,680 --> 00:34:13,040 A very good painter and a very good friend of Michelangelo. 501 00:34:13,360 --> 00:34:17,520 - Yes, because in fact, Michelangelo helped him in secret. 502 00:34:18,280 --> 00:34:23,320 So you were in competition with not one master, but two. 503 00:34:23,640 --> 00:34:26,719 - I knew that I was risking my reputation. 504 00:34:27,800 --> 00:34:31,040 - It's not your reputation you risked, 505 00:34:31,840 --> 00:34:33,239 but your life. 506 00:34:33,560 --> 00:34:37,239 Because you essentially killed yourself performing the task. 507 00:34:37,560 --> 00:34:40,680 Died before finishing your painting. 508 00:34:41,880 --> 00:34:43,000 You were... 509 00:34:43,640 --> 00:34:44,760 - 37 years old. 510 00:34:49,360 --> 00:34:51,200 - You were 37 years old. 511 00:34:57,520 --> 00:34:58,280 - Knock, knock. 512 00:34:58,600 --> 00:35:00,480 - What are you doing here? 513 00:35:00,800 --> 00:35:02,080 - Feeling better, Mme. Chassagne? 514 00:35:02,600 --> 00:35:04,960 - Er... - You didn't look... 515 00:35:05,280 --> 00:35:07,160 - Yes, thank you. 516 00:35:08,600 --> 00:35:10,760 - If you're not feeling "meh", 517 00:35:11,080 --> 00:35:13,640 I'd like to talk to you. 518 00:35:13,960 --> 00:35:15,400 Like this morning, 519 00:35:15,719 --> 00:35:19,000 I sent you a message... - What's in it? 520 00:35:20,719 --> 00:35:23,680 - Well... Lots of stuff, it's complicated... 521 00:35:24,000 --> 00:35:27,080 - What's in it? In this box? 522 00:35:27,400 --> 00:35:28,160 - Ah! - Yes. 523 00:35:28,480 --> 00:35:30,400 - All Danavan. 524 00:35:30,719 --> 00:35:33,560 Alex wants us to read them. 525 00:35:33,880 --> 00:35:35,560 The last one, 526 00:35:35,880 --> 00:35:40,680 and others. There's "Un givré bien refroidi", "La chute d'airain". 527 00:35:41,000 --> 00:35:42,239 And the last one, 528 00:35:42,560 --> 00:35:44,080 "Mission Raphaël", 529 00:35:44,400 --> 00:35:45,640 especially. 530 00:35:45,960 --> 00:35:50,160 - Why me? - He wants us to master the subject. 531 00:35:50,480 --> 00:35:53,600 It has to do with Françon. He wants us to read them 532 00:35:53,920 --> 00:35:56,320 to capture his psychology. 533 00:35:56,640 --> 00:36:00,200 - All right, then. OK. - The one about Raphaël is a little more 534 00:36:00,520 --> 00:36:01,440 your part. 535 00:36:01,760 --> 00:36:04,520 So you should read it. - Oh no! 536 00:36:04,840 --> 00:36:08,600 Well, I... No. I know a little about Raphaël, 537 00:36:08,920 --> 00:36:12,640 so if I have to deal with the psychology by Patricia Richter... 538 00:36:12,960 --> 00:36:16,120 - You have a problem with these books? 539 00:36:16,440 --> 00:36:18,800 - Not at all. Absolutely not. 540 00:36:19,120 --> 00:36:21,560 Read them and learn 541 00:36:21,880 --> 00:36:24,640 2 or 3 things about Raphaël, but I won't. 542 00:36:24,960 --> 00:36:25,760 No. 543 00:36:41,160 --> 00:36:42,840 He sighs. 544 00:36:49,719 --> 00:36:50,560 - So... 545 00:37:04,160 --> 00:37:07,200 "1982. Michael Danavan is thinking of retiring, 546 00:37:07,520 --> 00:37:10,120 "but he accepts a final mission: 547 00:37:10,440 --> 00:37:13,760 "find a painting by the famous painter Raphaël." 548 00:37:22,040 --> 00:37:27,200 Why did you accept this mission, with your dick head? 549 00:37:27,840 --> 00:37:29,400 Michael Danavan. 550 00:37:34,960 --> 00:37:36,280 "Instead of being 551 00:37:36,600 --> 00:37:38,280 "in the tropics, 552 00:37:38,600 --> 00:37:41,960 "I found myself at the Louvre for my investigation." 553 00:37:45,719 --> 00:37:48,360 - Instead of being in the tropics, 554 00:37:48,680 --> 00:37:51,840 I found myself at the Louvre for my investigation. 555 00:37:52,160 --> 00:37:53,960 Even specialists 556 00:37:54,280 --> 00:37:58,160 didn't know where this damn portrait had gone. 557 00:37:58,480 --> 00:38:02,840 Raphael's paintings seemed to be staring at me with a smirk. 558 00:38:03,160 --> 00:38:05,320 But it was time to restore. 559 00:38:05,640 --> 00:38:09,680 one man's honor. His daughter had asked me to in-person. 560 00:38:10,000 --> 00:38:11,080 Barbara. 561 00:38:12,280 --> 00:38:14,320 I liked Barbara. 562 00:38:15,760 --> 00:38:19,600 This business made her nervous. and I wanted to help her. 563 00:38:19,920 --> 00:38:21,239 It was Jason 564 00:38:21,560 --> 00:38:24,000 who had told her about me. 565 00:38:25,400 --> 00:38:28,920 - Jason and Barbara. Damn, so help me, it's not possible... 566 00:38:35,239 --> 00:38:36,360 "I knew 567 00:38:36,680 --> 00:38:39,400 "that Jason was crazy about her. 568 00:38:40,200 --> 00:38:43,640 "How to tell Barbara she was lying to herself? 569 00:38:44,480 --> 00:38:48,520 "Despite having refused his advances, her heart burned for him. 570 00:38:48,840 --> 00:38:50,160 "In his office, 571 00:38:50,480 --> 00:38:53,880 "Barbara couldn't see that Jason was devouring her with his eyes." 572 00:39:12,840 --> 00:39:13,840 Barbara. 573 00:39:14,160 --> 00:39:15,160 - Jason! 574 00:39:20,160 --> 00:39:23,040 - Don't worry. We'll get your father out of there. 575 00:39:24,400 --> 00:39:25,680 I'll leave you to it. 576 00:39:28,280 --> 00:39:29,160 - Jason. 577 00:39:32,400 --> 00:39:33,200 - Yes? 578 00:39:33,800 --> 00:39:37,920 - I thought that after what happened between us, 579 00:39:38,239 --> 00:39:40,080 you'd hate me. 580 00:39:41,960 --> 00:39:42,840 - No. 581 00:39:44,200 --> 00:39:46,800 I'll always be there for you, Barbara. 582 00:39:48,120 --> 00:39:49,040 Always. 583 00:39:51,120 --> 00:39:53,360 "I need you, Jason." 584 00:39:56,600 --> 00:39:59,239 "If you only knew how I suffer." 585 00:40:01,960 --> 00:40:03,280 "I don't eat anymore." 586 00:40:05,400 --> 00:40:07,000 "I don't sleep anymore." 587 00:40:12,360 --> 00:40:13,960 "I feel your heart 588 00:40:14,280 --> 00:40:16,880 fight mine, Jason." 589 00:40:17,200 --> 00:40:20,120 - "I'll always be there for you." 590 00:40:20,440 --> 00:40:21,400 - "Thank you." 591 00:40:23,000 --> 00:40:24,400 "Oh, Jason..." 592 00:40:38,080 --> 00:40:39,120 - Hi, there. 593 00:40:56,880 --> 00:41:00,320 - Well, that's it, you've mastered the Richter subject. 594 00:41:00,640 --> 00:41:02,560 - I started reading, yes. 595 00:41:02,880 --> 00:41:06,160 I haven't just started, I've read most of it. 596 00:41:06,480 --> 00:41:09,280 - Really? - It's not so bad. 597 00:41:09,600 --> 00:41:11,080 Especially the stories 598 00:41:11,400 --> 00:41:12,200 of love. 599 00:41:13,360 --> 00:41:14,360 - Really? 600 00:41:16,080 --> 00:41:16,960 - Yes. 601 00:41:20,040 --> 00:41:22,239 In the last one, for example, 602 00:41:22,560 --> 00:41:25,960 there's a woman who says no to a man. 603 00:41:27,080 --> 00:41:28,360 - Very original. 604 00:41:28,680 --> 00:41:32,880 - Yes, but she saw him... She's having a very, very hard time of it. 605 00:41:33,200 --> 00:41:36,520 She realizes that she's in love with him. 606 00:41:37,360 --> 00:41:40,160 But... she doesn't want to tell herself. 607 00:41:43,880 --> 00:41:44,719 - OK. 608 00:41:45,040 --> 00:41:46,600 We understand that... 609 00:41:47,120 --> 00:41:49,760 That she's lying to herself a little. 610 00:41:51,280 --> 00:41:52,040 - OK. 611 00:41:52,680 --> 00:41:53,440 OK. 612 00:41:54,239 --> 00:41:56,680 - As a result, she eats more... 613 00:41:59,200 --> 00:42:00,000 Hiccup. 614 00:42:02,040 --> 00:42:03,080 No more sleep. 615 00:42:03,640 --> 00:42:04,480 ... 616 00:42:06,280 --> 00:42:08,080 She's very unwell. 617 00:42:08,840 --> 00:42:10,200 She's "meh". 618 00:42:10,520 --> 00:42:13,360 See what I mean? ... 619 00:42:14,000 --> 00:42:18,600 Damn, Mme. Chassagne, what's this new thing? As soon as I get close, you get hiccups? 620 00:42:18,920 --> 00:42:22,239 - No, not at all. Don't make it all about you. 621 00:42:22,560 --> 00:42:26,640 It really has nothing to do with you. I don't know what's wrong with me. 622 00:42:26,960 --> 00:42:27,719 ... 623 00:42:28,960 --> 00:42:30,000 - (And now?) 624 00:42:31,320 --> 00:42:32,160 Hiccup. 625 00:42:32,680 --> 00:42:35,160 - Captain, Mme. Chassagne. 626 00:42:35,480 --> 00:42:36,880 - Yes, I'm coming. 627 00:42:39,719 --> 00:42:41,360 - Where are you off to? 628 00:42:47,120 --> 00:42:50,560 - She's a literary influencer. Hiccup. 629 00:42:50,880 --> 00:42:53,600 This was posted 48 hours ago. 630 00:42:53,920 --> 00:42:57,680 *-Hello, friends! I've got a sick exclusive to share with you. 631 00:42:58,000 --> 00:43:00,719 *Guess what they sent me? 1h ago. 632 00:43:01,040 --> 00:43:05,400 *A manuscript about your favorite hero: Michael Danavan! 633 00:43:06,320 --> 00:43:11,280 - Patricia Richter's manuscript? - She details Danavan's death. 634 00:43:11,600 --> 00:43:15,840 *-"Michael lay pale and motionless on a snow-white pillow, 635 00:43:16,160 --> 00:43:19,520 *"eyes closed..." And the icing on the cake... 636 00:43:19,840 --> 00:43:21,000 Fast forward. 637 00:43:21,320 --> 00:43:24,080 *-So why did she do it? 638 00:43:24,400 --> 00:43:27,880 *For this latest opus, she has a new researcher. 639 00:43:28,200 --> 00:43:30,280 *I'd like to meet him. Wouldn't you? 640 00:43:30,600 --> 00:43:35,080 - She posted this, before the murder. - Excuse me, 150,000 people have 641 00:43:35,400 --> 00:43:37,440 seen this video? 642 00:43:37,760 --> 00:43:40,239 - Yes. - And therefore able to imitate the painting. 643 00:43:40,560 --> 00:43:42,000 - 150,000 suspects. 644 00:43:47,680 --> 00:43:50,320 Who is this guy in my office? 645 00:43:50,640 --> 00:43:54,719 - Richter's publisher. He's the one who told me about the influencer. 646 00:43:55,040 --> 00:43:56,800 - Weren't you going to tell me? 647 00:43:57,120 --> 00:43:59,640 - The publisher has arrived. - There we are. 648 00:44:02,520 --> 00:44:03,640 Mr. Sarkis. 649 00:44:03,960 --> 00:44:05,719 - Good afternoon. - Captain Verlay. 650 00:44:06,040 --> 00:44:08,560 - Hello, Florence. Florence Chassagne. 651 00:44:09,160 --> 00:44:12,680 - We've just seen the video of the influencer there. 652 00:44:13,000 --> 00:44:13,960 Have a seat. 653 00:44:14,280 --> 00:44:18,080 If it was a fan who killed Bergman, he would be obsessive. 654 00:44:18,400 --> 00:44:22,040 He would've tried to get in touch with Patricia Richter before. 655 00:44:22,360 --> 00:44:23,760 - Perhaps, yes. 656 00:44:24,080 --> 00:44:28,520 She receives many messages on the internet. 657 00:44:28,840 --> 00:44:32,440 - Can we read them? - Of course. I'll pass them on to you. 658 00:44:32,760 --> 00:44:34,920 - If we can take a look. 659 00:44:35,360 --> 00:44:38,520 - Tell me how this could have happened, Thomas. - Patricia. 660 00:44:38,840 --> 00:44:40,360 - You're the only one 661 00:44:40,680 --> 00:44:42,840 who had the manuscript. 662 00:44:43,160 --> 00:44:46,520 - What happened? - When I read the ending, 663 00:44:46,840 --> 00:44:50,880 I needed a pick-me-up. I went to the café. 664 00:44:51,200 --> 00:44:54,080 I forgot the manuscript on the bench. 665 00:44:54,400 --> 00:44:55,880 - What did you do? 666 00:44:56,200 --> 00:44:59,040 - I realized it, went back, 667 00:44:59,360 --> 00:45:02,680 and it was still there. - How long did it last? 668 00:45:03,000 --> 00:45:06,400 - 10-15 min. - Lots of things can happen in 10-15 min. 669 00:45:06,719 --> 00:45:11,680 - You realize that Nathan is dead because of this stupid oversight?! 670 00:45:14,000 --> 00:45:18,200 I'm so sorry. It's my fault too. I should never have written that. 671 00:45:19,000 --> 00:45:20,440 - I'm very sorry, Patricia. 672 00:45:20,760 --> 00:45:23,040 Given the circumstances, 673 00:45:23,360 --> 00:45:26,239 I must put you under protection. 674 00:45:26,800 --> 00:45:29,840 I ask you to stay here in the meantime. 675 00:45:30,160 --> 00:45:32,040 - Here? For how long? 676 00:45:32,360 --> 00:45:36,200 - Just until tonight. Tonight, you'll have an escort. 677 00:45:43,120 --> 00:45:45,840 "If Nina Plume is telling the truth, it sucks. 678 00:45:46,160 --> 00:45:50,480 "Michael doesn't deserve this! I hope it's a hoax." 679 00:45:50,800 --> 00:45:52,360 - It's crazy! 680 00:45:52,680 --> 00:45:56,880 Below Richter's channel, there are over 10,000 comments. 681 00:45:57,200 --> 00:46:01,960 - Excuse me, we're looking for an obsessive, right? 682 00:46:02,280 --> 00:46:04,400 - Yes. - It'll be complicated because they're all obsessive. 683 00:46:04,719 --> 00:46:08,200 They write love letters to a fictional character. 684 00:46:08,520 --> 00:46:09,440 So they're lunatics! 685 00:46:09,760 --> 00:46:13,000 - We weren't talking. - They say what they feel. 686 00:46:13,840 --> 00:46:15,239 - Mme. Chassagne. 687 00:46:15,560 --> 00:46:18,160 May I have a word? - No time. 688 00:46:18,480 --> 00:46:19,239 - Just a minute. 689 00:46:20,640 --> 00:46:22,560 It won't take long. - One minute. 690 00:46:29,800 --> 00:46:33,440 - This painting needs to be appraised for another investigation. 691 00:46:33,760 --> 00:46:36,400 - No, Adèle, I've got too much work to do. 692 00:46:36,719 --> 00:46:40,120 - So, can I call your dad? - My father? 693 00:46:40,440 --> 00:46:43,080 But don't you think I have enough 694 00:46:43,400 --> 00:46:46,000 problems? - Well, too bad. 695 00:46:46,320 --> 00:46:48,719 - Is that Richter's book? 696 00:46:49,040 --> 00:46:49,880 - Yeah. 697 00:46:53,160 --> 00:46:57,160 The ending is rotten, but the story between Jason and Barbara... 698 00:46:57,480 --> 00:46:59,239 Ooh! Madness! 699 00:46:59,560 --> 00:47:03,400 - Can I see? - No, sorry, I've got to get it back to the publisher. 700 00:47:07,719 --> 00:47:08,719 - All right. 701 00:47:10,560 --> 00:47:11,520 (Come here.) 702 00:47:13,120 --> 00:47:15,640 (Can you lend it to me?) 703 00:47:15,960 --> 00:47:19,560 (You lend it to me until tonight and I swear to you 704 00:47:19,880 --> 00:47:23,239 that I give it back to you.) - So I can call 705 00:47:23,560 --> 00:47:24,560 your father? 706 00:47:25,680 --> 00:47:27,239 - Fine, you can call him. 707 00:47:28,200 --> 00:47:29,760 - It's good stuff. 708 00:47:30,960 --> 00:47:36,360 - Correction, it's not for my personal use, it's really 709 00:47:36,680 --> 00:47:39,280 for work. - Yeah, we know. 710 00:47:39,600 --> 00:48:02,560 ... 711 00:48:02,880 --> 00:48:04,960 She reads in a low voice. 712 00:48:05,680 --> 00:48:08,840 "Barbara and I were stronger than ever... 713 00:48:11,080 --> 00:48:13,600 ("Barbara clung to Jason...) 714 00:48:14,400 --> 00:48:18,480 "Barbara clung to Jason like he were the only one in the world, 715 00:48:19,440 --> 00:48:22,960 "without seeing the obvious feeling she had for him." 716 00:48:23,640 --> 00:48:24,520 (What?!) 717 00:48:26,440 --> 00:48:27,400 (The bitch!) 718 00:48:29,560 --> 00:48:30,880 The bitch! 719 00:48:33,960 --> 00:48:35,440 Where's the end? 720 00:48:39,880 --> 00:48:43,360 ("Barbara was terrified, but in Jason's arms, 721 00:48:43,680 --> 00:48:47,400 ("it was suddenly as if she felt invulnerable.") 722 00:48:48,239 --> 00:48:49,040 Shooting. 723 00:48:54,160 --> 00:48:56,040 - "They're gone." 724 00:48:59,719 --> 00:49:02,360 No more risks. - I was so scared. 725 00:49:03,040 --> 00:49:06,680 Touch my heart. It beats wildly. 726 00:49:07,000 --> 00:49:09,600 - "Yes, I feel it. Barbara, 727 00:49:09,920 --> 00:49:12,320 I'll always be there for you. 728 00:49:14,280 --> 00:49:15,880 You are my life. 729 00:49:18,560 --> 00:49:20,760 - "No longer able to resist... 730 00:49:27,480 --> 00:49:29,920 "Barbara kissed Jason 731 00:49:30,239 --> 00:49:32,640 "in a fit of passion." 732 00:49:37,760 --> 00:49:40,400 What's happening to us, Jason? 733 00:49:41,320 --> 00:49:43,520 - I think it's love. 734 00:49:50,000 --> 00:49:53,320 - "Both abandoned themselves, one to the other." 735 00:49:53,640 --> 00:49:54,760 Your mouth... 736 00:49:55,080 --> 00:49:56,080 - Yours... 737 00:50:00,120 --> 00:50:01,280 - Ah, Jason. 738 00:50:01,600 --> 00:50:03,000 - Ah, Barbara. 739 00:50:13,440 --> 00:50:16,800 - "Like an abandonment too long restrained, 740 00:50:18,640 --> 00:50:20,840 "the dam finally broke. 741 00:50:22,160 --> 00:50:23,280 "Oh, Jason... 742 00:50:26,520 --> 00:50:27,719 Oh, Jason... 743 00:50:30,480 --> 00:50:32,600 - Oh, Barbara. - Oh, Jason... 744 00:50:32,920 --> 00:50:36,000 "It was as if all the unhappiness in Barbara 745 00:50:36,320 --> 00:50:38,520 "was suddenly gone. 746 00:50:38,840 --> 00:50:42,200 "She had finally stopped lying to herself." 747 00:50:43,160 --> 00:50:44,920 (It's total shit!) 748 00:50:45,920 --> 00:50:47,560 It's a rag! 749 00:50:48,239 --> 00:50:50,920 Barbara's an idiot! 750 00:50:51,239 --> 00:50:52,840 - Mme. Chassagne? 751 00:50:56,719 --> 00:50:59,560 What are you doing? - Well... 752 00:50:59,880 --> 00:51:04,280 I went to the evidence room because... you remember 753 00:51:04,600 --> 00:51:07,320 the fake pharaoh story? 754 00:51:07,640 --> 00:51:10,239 - Er... I can't remember. - Alright. 755 00:51:10,560 --> 00:51:12,800 That's all there is to it. - OK. 756 00:51:13,120 --> 00:51:16,360 We found something on Insta about Richter. Please come. 757 00:51:16,680 --> 00:51:19,239 Quickly, if possible. - After you. 758 00:51:20,480 --> 00:51:21,560 - It's over there. 759 00:51:30,480 --> 00:51:31,320 - Jason. 760 00:51:37,520 --> 00:51:38,719 - Ah! - Here it is. 761 00:51:46,120 --> 00:51:46,920 It's here. 762 00:51:49,120 --> 00:51:51,560 Take a look. Here. - "So, Richter, 763 00:51:51,880 --> 00:51:55,320 "what are you going to do without your researcher? You'll 764 00:51:55,640 --> 00:51:57,000 "listen to me." 765 00:51:57,840 --> 00:52:02,280 - A certain Michael-is-alive-87 posted this two hours ago. 766 00:52:02,600 --> 00:52:03,760 And if you click 767 00:52:04,080 --> 00:52:08,320 on the link, there... This is "Le Grand saint Michel". 768 00:52:08,640 --> 00:52:09,400 - And so what? 769 00:52:09,719 --> 00:52:12,239 It's a painting by Raphael. 770 00:52:12,560 --> 00:52:16,920 And there, the archangel Saint Michael. And here, he kills the angel of evil who, himself, 771 00:52:17,239 --> 00:52:20,040 rebelled against his god. 772 00:52:20,360 --> 00:52:24,000 - In the novel, Danavan is in the Louvre and sees this painting. 773 00:52:24,320 --> 00:52:25,719 Really? Yes. 774 00:52:26,520 --> 00:52:28,560 - There's a message underneath. 775 00:52:28,880 --> 00:52:32,040 - "Michael Danavan, like Saint Michael, 776 00:52:32,360 --> 00:52:33,960 "is immortal. 777 00:52:34,280 --> 00:52:38,080 "If at 11:00 on Thursday you don't save Michael by rewriting the ending, 778 00:52:38,400 --> 00:52:41,280 "you'll have a second murder on your hands." 779 00:52:45,920 --> 00:52:46,760 - (Fuck.) 780 00:52:56,400 --> 00:52:57,200 - Well... 781 00:52:58,960 --> 00:53:02,000 - He wants me to rewrite the ending for tomorrow? 782 00:53:02,320 --> 00:53:05,080 A madman telling me what to write?! 783 00:53:05,400 --> 00:53:09,239 - He thinks he's the Saint Michael of this painting who kills the angel. 784 00:53:09,560 --> 00:53:13,280 He'll probably kill again. He believes he has a mission, 785 00:53:13,600 --> 00:53:14,719 something 786 00:53:15,040 --> 00:53:16,880 mystical. - Wonderful. 787 00:53:17,200 --> 00:53:20,800 - We need to rewrite. We can't take that risk. 788 00:53:21,120 --> 00:53:26,080 Don't kill Danavan. - So, they couldn't trace the link. 789 00:53:26,400 --> 00:53:29,480 You had a meeting with your fans at 3pm? 790 00:53:29,800 --> 00:53:31,840 - We'll cancel it. No. 791 00:53:32,160 --> 00:53:35,480 You're both going, interviewing fans 792 00:53:35,800 --> 00:53:38,400 and find this Michael-is-alive-87. 793 00:53:38,719 --> 00:53:40,520 - Me too? Yes, yes. Both of you. 794 00:53:41,360 --> 00:53:42,840 - OK. - We'll bring 795 00:53:43,160 --> 00:53:44,960 your computer. 796 00:53:45,560 --> 00:53:47,480 - Bring. Bring. 797 00:53:47,800 --> 00:53:49,200 - We often err. 798 00:53:49,520 --> 00:53:51,360 - Would you like a coffee? 799 00:53:51,680 --> 00:53:54,600 - Can you bring it to me? - I'll bring it to you. 800 00:54:04,000 --> 00:54:06,840 "She wanted to know who I was. 801 00:54:07,160 --> 00:54:10,120 "This knowledge increased his affection. 802 00:54:10,440 --> 00:54:12,239 - Take a look. - Listen to this. 803 00:54:12,560 --> 00:54:16,360 "She was flattered to have made the conquest of a lover like me." 804 00:54:16,680 --> 00:54:18,840 - Stop! - Isn't it deadly? 805 00:54:19,160 --> 00:54:21,960 What, stop? - I can't stand Richter. 806 00:54:23,360 --> 00:54:24,120 - OK. 807 00:54:24,440 --> 00:54:28,200 - You're not going to tell me all the Richters you've read. 808 00:54:28,520 --> 00:54:31,719 It can't be. - Let me read you just one passage 809 00:54:32,040 --> 00:54:35,400 which I really liked. - I don't understand why you like it. 810 00:54:35,719 --> 00:54:39,640 It's a bunch of clichés. It's saccharine and corny! 811 00:54:40,239 --> 00:54:42,120 - Saccharine and corny? - Yes, saccharine and corny! 812 00:54:42,440 --> 00:54:46,160 - Two people who, in time, realize that they love each other, 813 00:54:46,480 --> 00:54:47,600 I... Hiccup. 814 00:54:49,560 --> 00:54:52,520 - What do you know? You haven't read them. 815 00:54:52,840 --> 00:54:56,360 - Well... I know because the advantage of these books, 816 00:54:56,680 --> 00:55:00,120 is that we know what's there before reading them. 817 00:55:01,840 --> 00:55:05,080 - I'm so sorry. We're sorry to disturb you. 818 00:55:06,200 --> 00:55:08,560 Police... Judicial Police. 819 00:55:08,880 --> 00:55:11,040 Do any of you know... 820 00:55:11,360 --> 00:55:14,800 - A Michael-is-alive-87 account? Dash 87. 821 00:55:15,120 --> 00:55:17,520 - It's a fan account. 822 00:55:17,840 --> 00:55:20,560 - I know a Danavan-is-alive. 823 00:55:22,239 --> 00:55:25,640 - This is Michael-is-alive-87. No one knows? 824 00:55:26,760 --> 00:55:27,880 - Danavan... 825 00:55:29,680 --> 00:55:31,960 saw death in the face. 826 00:55:34,400 --> 00:55:36,440 "...death in the face." 827 00:55:38,600 --> 00:55:43,200 There was... no way out. 828 00:55:44,560 --> 00:55:46,360 - It can't be. 829 00:55:46,680 --> 00:55:48,160 - Hello, Victor. 830 00:55:48,480 --> 00:55:51,719 I have an appointment, with Lieutenant Attias. 831 00:55:52,040 --> 00:55:54,400 It's regarding painting expertise. - Yes. 832 00:55:54,719 --> 00:55:57,560 Don't go away. I'll get her. 833 00:56:00,120 --> 00:56:02,760 - And yet... 834 00:56:05,160 --> 00:56:06,760 he'll make it. 835 00:56:10,960 --> 00:56:11,840 Yes. 836 00:56:12,920 --> 00:56:13,800 How? 837 00:56:19,960 --> 00:56:21,719 - Patricia Richter. 838 00:56:23,080 --> 00:56:25,360 "Don't bury me yet." 839 00:56:33,880 --> 00:56:37,760 "The murderous summer seemed endless. 840 00:56:38,080 --> 00:56:42,120 "His body was languid, crushed under a hypnotic torpor." 841 00:56:42,440 --> 00:56:45,280 She really writes like a foot. 842 00:56:47,160 --> 00:56:48,840 "Under his shirt, 843 00:56:49,360 --> 00:56:53,200 "his revolver slipped on his sweaty skin." 844 00:56:55,280 --> 00:56:57,760 Style like that, there are no words. 845 00:56:58,080 --> 00:56:59,000 It's... 846 00:57:01,239 --> 00:57:02,080 - It's...? 847 00:57:03,520 --> 00:57:04,480 I would have liked to 848 00:57:04,800 --> 00:57:06,120 hear 849 00:57:06,440 --> 00:57:09,680 what comes next. Such a great admirer. 850 00:57:12,040 --> 00:57:13,040 - Yes, hello. 851 00:57:13,360 --> 00:57:14,360 - Nice to meet you. 852 00:57:14,680 --> 00:57:17,200 - Pierre Chassagne. Mr. Chassagne! 853 00:57:17,520 --> 00:57:18,280 Hello. 854 00:57:18,800 --> 00:57:20,880 Did you introduce yourselves? 855 00:57:21,200 --> 00:57:22,720 - We were going to. - Yes. 856 00:57:23,040 --> 00:57:25,600 - Pierre Chassagne - art historian, Patricia Richter - novelist. 857 00:57:25,920 --> 00:57:29,120 She's the one who writes Danavan. Yes. 858 00:57:29,440 --> 00:57:32,040 - The hero who always pulls through. 859 00:57:33,200 --> 00:57:33,960 - Yes. 860 00:57:34,280 --> 00:57:35,800 Are you coming? Yes. 861 00:57:36,720 --> 00:57:39,600 - Would you like an autograph? It would be my great pleasure. 862 00:57:46,680 --> 00:57:48,240 Commander? Yes? 863 00:57:48,560 --> 00:57:51,040 - We have a new message from the killer. 864 00:57:57,280 --> 00:57:58,920 - I'll call Verlay. 865 00:57:59,240 --> 00:58:03,200 - Thank you very much, ladies and gentlemen. We apologize for the inconvenience. 866 00:58:04,040 --> 00:58:05,200 Yes, Alex? 867 00:58:05,520 --> 00:58:08,840 - We have a new message from the killer. I'll send it to you. 868 00:58:13,400 --> 00:58:16,600 - You're behind your keyboard, Mme. Richter? 869 00:58:16,920 --> 00:58:20,000 "You have 19 hours left." - Show the image. 870 00:58:20,320 --> 00:58:23,520 It's another Saint Michael painted by Raphaël. 871 00:58:25,720 --> 00:58:26,600 - Alex, 872 00:58:26,920 --> 00:58:28,520 *we'll call you back. OK. 873 00:58:32,960 --> 00:58:34,760 - "Michael Danavan 874 00:58:35,080 --> 00:58:36,800 "walk in the middle 875 00:58:37,120 --> 00:58:40,720 "of the two angels of light." - Probably the two St Michael's 876 00:58:41,040 --> 00:58:42,840 by Raphael. 877 00:58:43,520 --> 00:58:44,320 - What, 878 00:58:44,640 --> 00:58:48,520 Is this one in the Louvre too? - I'll show you. I'll show you. 879 00:58:48,840 --> 00:58:50,000 See? 880 00:58:50,320 --> 00:58:54,360 The first one. And this is the 2nd. In the Grande Galerie, 881 00:58:54,680 --> 00:58:57,720 one on the right, one on the left. 882 00:58:58,040 --> 00:59:00,520 - How can the killer 883 00:59:00,840 --> 00:59:04,000 know it? - He went to the Louvre. 884 00:59:04,320 --> 00:59:07,320 - What? - He saw the influencer's video 885 00:59:07,640 --> 00:59:12,600 and wanted to follow in the footsteps of his hero. He went to the museum. 886 00:59:12,920 --> 00:59:17,080 -Then it must have been filmed by surveillance cameras. 887 00:59:17,560 --> 00:59:21,600 I'll ask the prosecutor to retrieve the videos. 888 00:59:28,920 --> 00:59:30,160 Low voice. 889 00:59:30,680 --> 00:59:33,480 - What's that? What nonsense! 890 00:59:33,800 --> 00:59:36,520 - Are you the author? - What's up? 891 00:59:36,840 --> 00:59:38,120 - It sucks! 892 00:59:38,440 --> 00:59:42,440 - No, it's okay! You wanted Danavan alive. Here we are. 893 00:59:42,760 --> 00:59:47,760 - But not like that! There's no surprise. We don't believe it. 894 00:59:48,080 --> 00:59:49,120 It's shitty! 895 00:59:51,120 --> 00:59:53,960 - With vocabulary like that, you could be a literary critic. 896 00:59:54,280 --> 00:59:58,600 - I know what I'm saying. If you post it, there'll be another death! 897 00:59:58,920 --> 01:00:01,720 - We don't want the killer to think you took his request lightly. 898 01:00:02,040 --> 01:00:02,800 - Thank you. 899 01:00:03,120 --> 01:00:06,080 - 7pm to go. You could do some fine-tuning. 900 01:00:06,400 --> 01:00:07,720 It's fine. It's not an attempt 901 01:00:08,040 --> 01:00:11,080 at the Goncourt literary prize. - If it's no good, 902 01:00:11,400 --> 01:00:16,000 it's time to start again. - You think it's easy?! 903 01:00:16,320 --> 01:00:20,040 In a novel, if you change one element, everything else moves! 904 01:00:20,360 --> 01:00:22,680 Now we have to start all over again. 905 01:00:42,280 --> 01:00:43,520 - Would you like a cup of coffee? 906 01:01:01,320 --> 01:01:05,000 - Here are the last 48 hours in the Grand Galllery. 907 01:01:05,320 --> 01:01:07,040 - Perfect! Great! - We speed up here. 908 01:01:07,360 --> 01:01:08,880 - OK, that works. Thanks. 909 01:01:09,200 --> 01:01:12,320 - Call me when you're done. - Yes, of course. 910 01:01:13,520 --> 01:01:15,800 Thank you very much. Yes, thank you. 911 01:01:21,480 --> 01:01:22,920 - Here, "Le Petit Saint Michel" here, 912 01:01:23,240 --> 01:01:26,480 and here, "Le Grand Saint Michel". Our nut case 913 01:01:26,800 --> 01:01:29,160 stopped in front. 914 01:01:37,760 --> 01:01:39,960 Can you zoom in on him? 915 01:01:40,280 --> 01:01:41,840 Print this. 916 01:01:52,960 --> 01:01:53,840 - Is it coming out? 917 01:01:55,480 --> 01:01:56,400 That's good, you can see him. 918 01:02:10,360 --> 01:02:11,480 - Pierre, 919 01:02:11,800 --> 01:02:14,720 the Italian Renaissance... - My specialty. 920 01:02:15,040 --> 01:02:16,840 The High Renaissance. 921 01:02:17,160 --> 01:02:21,400 - Okay, fine. Raphaël. Did he paint the same woman there or not? 922 01:02:21,720 --> 01:02:24,800 It's for my novel. A simple answer. 923 01:02:25,120 --> 01:02:26,160 - Yes. 924 01:02:26,480 --> 01:02:29,200 Very interesting. There's a debate going on. 925 01:02:29,520 --> 01:02:31,160 - OK. - There are 926 01:02:31,480 --> 01:02:34,560 studies that say that it's the same woman. 927 01:02:34,880 --> 01:02:37,800 - Stop. If some say so, that's enough for me. 928 01:02:38,120 --> 01:02:39,240 Thank you very much. 929 01:02:39,560 --> 01:02:40,360 Danavan 930 01:02:40,680 --> 01:02:45,960 couldn't help looking at this veiled woman, 931 01:02:46,280 --> 01:02:48,640 five centuries old,. 932 01:02:49,560 --> 01:02:52,520 who seemed to be staring at him. - It has to be said 933 01:02:52,840 --> 01:02:56,320 that this is the woman Raphaël loved in secret, 934 01:02:56,640 --> 01:03:00,360 because he was engaged to the niece... OK, but I'm writing a novel, 935 01:03:00,680 --> 01:03:02,680 not a history book. 936 01:03:03,000 --> 01:03:06,240 - Would you permit me to take a look? 937 01:03:07,600 --> 01:03:10,680 Since I'm here, you might as well not write nonsense. 938 01:03:11,000 --> 01:03:11,800 So... 939 01:03:13,320 --> 01:03:14,120 Yeah? 940 01:03:14,440 --> 01:03:16,320 - No... - Here, take a look. 941 01:03:16,640 --> 01:03:19,800 Now, we're not sure that it's the same woman. 942 01:03:20,120 --> 01:03:23,040 If it's not the same... - It changes nothing. 943 01:03:23,360 --> 01:03:25,000 - Yes, it does. - No. 944 01:03:25,320 --> 01:03:28,120 My story isn't about that. 945 01:03:31,840 --> 01:03:32,600 - Her. 946 01:03:34,000 --> 01:03:36,720 See? She looks weird. 947 01:03:39,160 --> 01:03:41,440 - At the "Petit Saint Michel". 948 01:03:41,760 --> 01:04:13,680 ... 949 01:04:14,000 --> 01:04:15,720 And that's it! 950 01:04:16,040 --> 01:04:17,800 She goes to second Saint Michael. 951 01:04:31,880 --> 01:04:34,720 - Zoom in and print. 952 01:04:42,080 --> 01:04:44,040 The quality is perfect. 953 01:04:44,360 --> 01:04:45,480 You can see it clearly. 954 01:04:53,840 --> 01:04:56,640 - I hope she's a physiognomist, at least. - Well, yes, she does everything. 955 01:04:56,960 --> 01:05:00,080 - I can't write! - No compromise 956 01:05:00,400 --> 01:05:02,080 with history! 957 01:05:02,400 --> 01:05:05,240 - What's up? - She wanted help. 958 01:05:05,560 --> 01:05:07,680 - He took me apart! 959 01:05:08,000 --> 01:05:11,440 You're a nightmare. Worse than a blank page. 960 01:05:11,760 --> 01:05:14,520 - It's always better than your nonsense. 961 01:05:14,840 --> 01:05:16,600 - I beg your pardon? - Just listen, 962 01:05:16,920 --> 01:05:19,840 we have something new and we need you. 963 01:05:20,160 --> 01:05:22,160 - Very good. Get me away from him! 964 01:05:22,480 --> 01:05:24,840 Which way is it? - In my office. 965 01:05:27,560 --> 01:05:29,960 You're really serious. 966 01:05:31,400 --> 01:05:32,920 - You went hard. 967 01:05:33,240 --> 01:05:35,240 - Her books suck! 968 01:05:35,800 --> 01:05:36,600 - I know. 969 01:05:36,920 --> 01:05:40,080 - And they're bestsellers! - I know, too. 970 01:05:40,400 --> 01:05:43,240 - I can see the type of its readers: 971 01:05:43,560 --> 01:05:46,600 zero culture, no love life. 972 01:05:46,920 --> 01:05:49,560 No, frankly, it's scary. 973 01:05:51,320 --> 01:05:53,040 Don't you agree? 974 01:06:03,840 --> 01:06:06,560 - Her. Her face is familiar. 975 01:06:08,920 --> 01:06:11,200 - OK, are you sure about this? 976 01:06:11,520 --> 01:06:15,680 - I remember her. I saw her at several signing sessions. 977 01:06:16,000 --> 01:06:19,040 With 5 or 6 books to sign. - All right. 978 01:06:19,360 --> 01:06:22,200 Do you have her name? - No, I don't know about that. 979 01:06:23,280 --> 01:06:25,000 - In all your fans, 980 01:06:25,320 --> 01:06:29,440 there's sure to be someone who knows her. I'll throw her picture 981 01:06:29,760 --> 01:06:31,520 on the social networks. 982 01:06:31,840 --> 01:06:35,560 - I hope you catch her. - How far have you got with your novel? 983 01:06:35,880 --> 01:06:38,880 The message said noon tomorrow. We need this text, Mme. Richter. 984 01:06:39,200 --> 01:06:41,840 - Yes, otherwise she might kill someone at random. 985 01:06:43,400 --> 01:06:46,440 - Well, then... We'll show you out. - Yes. Yes. 986 01:06:46,760 --> 01:06:49,640 - Two agents will stay with her. - Yes. Very good. 987 01:06:49,960 --> 01:06:51,840 - I'd rather stay here. 988 01:06:52,160 --> 01:06:56,520 I started writing here and... I feel at home in your office. 989 01:06:59,160 --> 01:07:01,320 - Well, no problem. 990 01:07:01,640 --> 01:07:03,520 No worries. Very good. 991 01:07:06,200 --> 01:07:09,160 - I have just created a new character. 992 01:07:10,680 --> 01:07:11,680 - Ah? - Mm. 993 01:07:12,520 --> 01:07:15,040 You look great in that vest. 994 01:07:16,200 --> 01:07:19,080 - Thank you. If I need information 995 01:07:19,400 --> 01:07:23,040 on Raphael's painting, what do we do for tonight? 996 01:07:34,080 --> 01:07:36,560 *Music in the headset. 997 01:07:36,880 --> 01:07:39,960 *... 998 01:07:40,280 --> 01:07:41,480 No issue. 999 01:07:43,520 --> 01:07:45,240 No, that doesn't work. 1000 01:07:45,560 --> 01:07:48,440 We're bored. Something's stuck. 1001 01:07:48,760 --> 01:07:52,160 If Danavan no longer dies, something else has to happen. 1002 01:07:54,320 --> 01:07:58,320 Another test. If you have an idea, now's the time. 1003 01:08:00,560 --> 01:08:05,120 - If you ask me : Jason and Barbara don't end up together. 1004 01:08:05,440 --> 01:08:08,680 - The test would be impossible love 1005 01:08:09,000 --> 01:08:10,880 between Jason and Barbara. 1006 01:08:11,200 --> 01:08:14,160 Why would Barbara say no to Jason? 1007 01:08:14,480 --> 01:08:15,840 - Because she's wary. 1008 01:08:16,680 --> 01:08:20,160 Because she's already had her fill of the perfect man. 1009 01:08:20,720 --> 01:08:22,240 That's all there is to it. 1010 01:08:25,080 --> 01:08:25,920 - All right. 1011 01:08:26,680 --> 01:08:30,880 So, a big disappointment in love in the past 1012 01:08:31,520 --> 01:08:34,000 that would have branded her. 1013 01:08:34,320 --> 01:08:37,479 And since then, she can no longer say yes. 1014 01:08:37,800 --> 01:08:38,600 - Here we are. 1015 01:08:40,000 --> 01:08:41,080 Exactly that. 1016 01:08:43,160 --> 01:08:44,000 - Mm hmm. 1017 01:09:00,840 --> 01:09:04,560 Do you think this new ending will solve the problem? 1018 01:09:04,880 --> 01:09:06,000 - Absolutely. 1019 01:09:06,320 --> 01:09:08,680 I figure he'll read the end. 1020 01:09:09,000 --> 01:09:13,080 and say: "I've got to stop implying anything, and 1021 01:09:13,400 --> 01:09:17,120 "stop trying to give her my declaration of love." 1022 01:09:17,439 --> 01:09:20,160 - A lover never lets go 1023 01:09:20,479 --> 01:09:22,600 the object of his passion so easily. 1024 01:09:22,920 --> 01:09:26,080 He'll do it again another way. Really? 1025 01:09:26,400 --> 01:09:27,160 - Of course. 1026 01:09:27,479 --> 01:09:30,680 - I have no other solution. Unless you say: 1027 01:09:31,000 --> 01:09:35,600 "I need to talk to you frankly. I'm traumatized, 1028 01:09:35,920 --> 01:09:39,600 "I am unable to build a relationship with a man." 1029 01:09:39,920 --> 01:09:42,240 That's not even a dream. 1030 01:09:43,040 --> 01:09:44,280 - Why not? 1031 01:09:44,600 --> 01:09:45,360 - Because... 1032 01:09:48,360 --> 01:09:50,920 You told the truth 1033 01:09:51,240 --> 01:09:54,960 to your fiancée, Cardinal Bibbiena's niece? 1034 01:09:56,880 --> 01:09:57,640 - No. 1035 01:09:58,479 --> 01:10:01,840 - But she didn't get engaged to a creep. 1036 01:10:03,760 --> 01:10:07,040 She wasn't with a manipulative pervert. 1037 01:10:09,840 --> 01:10:10,760 - That's it. 1038 01:10:12,160 --> 01:10:14,479 Did he cut you off from your friends? Hmm? 1039 01:10:17,400 --> 01:10:19,600 Did he control your exits? 1040 01:10:20,120 --> 01:10:22,920 Was he telling you how to dress, 1041 01:10:23,240 --> 01:10:24,360 what to think? 1042 01:10:26,360 --> 01:10:28,400 Were you his thing? 1043 01:10:28,920 --> 01:10:32,280 - I was his... little thing. 1044 01:10:36,400 --> 01:10:39,240 I kept reading Richter. 1045 01:10:39,840 --> 01:10:42,280 I believed in the ideal man. 1046 01:10:42,800 --> 01:10:44,479 I was too stupid. 1047 01:10:52,960 --> 01:10:54,520 "Whispers 1048 01:10:54,840 --> 01:10:58,400 "slipped through the mysterious thick air." I love it! 1049 01:10:58,720 --> 01:11:01,000 So, where do you stand? 1050 01:11:02,120 --> 01:11:05,640 - We stand with Jason and Barbara no longer ending up together. 1051 01:11:05,960 --> 01:11:07,160 And it works? 1052 01:11:07,760 --> 01:11:08,680 - It rocks! 1053 01:11:09,000 --> 01:11:11,240 Now that's Danavan! Bravo, Mme. Richter. 1054 01:11:11,560 --> 01:11:13,640 We're on the right track. 1055 01:11:13,960 --> 01:11:18,760 - I saw the photo on social networks. 1056 01:11:19,080 --> 01:11:21,000 But now I'm sure, 1057 01:11:21,320 --> 01:11:24,680 I spoke to her at a book signing, last year. 1058 01:11:25,000 --> 01:11:28,960 Her name is Charlotte. - OK, I'll make a note of it. 1059 01:11:29,280 --> 01:11:30,680 Charlotte what? 1060 01:11:31,000 --> 01:11:32,880 - I don't know about that. 1061 01:11:33,200 --> 01:11:37,280 We were talking about Michael Danavan, we don't tell each other about our lives. 1062 01:11:38,640 --> 01:11:40,120 Contact this guy. 1063 01:11:40,960 --> 01:11:43,240 He organized the dedication. 1064 01:11:43,560 --> 01:11:46,160 He must still have the names. 1065 01:11:48,280 --> 01:11:50,880 - One last chapter left? - Yes. 1066 01:11:51,200 --> 01:11:55,040 I only have two hours, I know. I'll drink a coffee and go back. 1067 01:11:55,360 --> 01:11:58,000 Charlotte Vallet. She works 1068 01:11:58,320 --> 01:12:01,160 in a real estate agency in Sèvres. 1069 01:12:01,479 --> 01:12:02,840 - OK, let's do it. 1070 01:12:03,160 --> 01:12:03,920 - Come on. 1071 01:12:30,560 --> 01:12:32,120 - Good afternoon. - Good afternoon. 1072 01:12:34,200 --> 01:12:34,960 - Good afternoon. 1073 01:12:35,280 --> 01:12:38,320 Captain Verlay. - Mr. Laurin. - Commander Pardo. - Hello. 1074 01:12:39,000 --> 01:12:40,320 It's over here. 1075 01:12:44,120 --> 01:12:45,840 As you see, it's empty. 1076 01:12:46,160 --> 01:12:49,720 As I was saying, she housesits for us. 1077 01:12:50,040 --> 01:12:52,080 It reassures customers. 1078 01:12:53,000 --> 01:12:55,680 - You haven't contacted her? - No, no. Not at all. 1079 01:12:56,000 --> 01:12:57,200 - Madame Vallet? 1080 01:12:58,080 --> 01:12:58,880 Police! 1081 01:12:59,200 --> 01:13:01,280 He knocks. Mme. Vallet? 1082 01:13:01,600 --> 01:13:03,360 (Come, open.) 1083 01:13:03,680 --> 01:13:46,520 ... 1084 01:13:46,840 --> 01:13:48,000 Antoine, come. 1085 01:13:48,320 --> 01:14:35,360 ... 1086 01:14:36,000 --> 01:14:37,920 Antoine. Come and have a look. 1087 01:14:40,760 --> 01:14:42,280 "Veil = shroud." 1088 01:14:57,120 --> 01:14:59,000 It's her. I'm calling 1089 01:14:59,320 --> 01:15:00,560 the prosecutor. 1090 01:15:04,160 --> 01:15:06,479 Hello? Madam prosecutor? 1091 01:15:06,800 --> 01:15:11,000 It's Charlotte Vallet all right. We need a search warrant. 1092 01:15:11,520 --> 01:15:12,520 - (Damn it!) 1093 01:15:13,520 --> 01:15:14,360 Alex. 1094 01:15:16,680 --> 01:15:18,160 - I'll call you back. 1095 01:15:21,880 --> 01:15:23,520 Françon is 1096 01:15:23,840 --> 01:15:24,840 the next victim. 1097 01:15:26,920 --> 01:15:30,800 Are you sure about this? It's the only way to catch her. 1098 01:15:31,120 --> 01:15:35,040 If we send her the new ending, we'll never find her. 1099 01:15:47,200 --> 01:15:48,080 - Here we are. 1100 01:15:48,400 --> 01:15:50,760 - I refuse. Culture feeds 1101 01:15:51,080 --> 01:15:53,439 "people. You kill them. 1102 01:15:53,760 --> 01:15:56,200 "Patricia Richter." It's perfect. 1103 01:15:57,240 --> 01:15:59,040 We'll hear you 1104 01:15:59,360 --> 01:16:02,240 as if we were with you. Thanks to this. 1105 01:16:02,560 --> 01:16:06,040 So don't worry. I'll install it for you. 1106 01:16:14,000 --> 01:16:17,200 *-We're here, Mr. Françon, don't worry. 1107 01:16:17,520 --> 01:16:20,200 *Act as if nothing had happened. 1108 01:16:35,520 --> 01:16:39,160 *-Everyone, Françon has returned home. I repeat, Françon has returned home. 1109 01:16:41,640 --> 01:16:43,080 - OK, got it. 1110 01:16:57,560 --> 01:16:59,200 *-Get ready. 1111 01:16:59,520 --> 01:17:00,479 - OK. 1112 01:17:00,800 --> 01:17:40,720 ... 1113 01:17:41,040 --> 01:18:03,960 *... 1114 01:18:04,280 --> 01:18:07,080 Stepping on stairs. 1115 01:18:07,400 --> 01:18:12,200 *... ... 1116 01:18:12,520 --> 01:18:29,840 *... 1117 01:18:34,920 --> 01:18:35,960 *Crashing sounds. 1118 01:18:38,240 --> 01:18:39,479 *... 1119 01:18:40,560 --> 01:18:41,840 - What was that? 1120 01:18:43,520 --> 01:18:46,400 - Nobody entered on your side? - No, no one. 1121 01:18:46,720 --> 01:18:47,720 Be ready. 1122 01:18:50,920 --> 01:18:52,760 - Mr. Françon? - No! 1123 01:18:54,560 --> 01:18:55,520 *No! 1124 01:18:55,840 --> 01:18:56,920 - Here we go! 1125 01:19:01,920 --> 01:19:03,840 Leave me alone! 1126 01:19:04,160 --> 01:19:06,400 I beg you! 1127 01:19:06,720 --> 01:19:08,000 Leave me alone! 1128 01:19:08,320 --> 01:19:09,360 No, no! 1129 01:19:09,680 --> 01:19:10,680 No! 1130 01:19:11,000 --> 01:19:36,960 *... 1131 01:19:37,800 --> 01:19:40,040 She threw herself at me. 1132 01:19:40,360 --> 01:19:43,120 *... 1133 01:19:44,080 --> 01:19:45,240 - (Oh, fuck!) 1134 01:19:45,760 --> 01:19:46,600 Alex! 1135 01:19:48,160 --> 01:19:50,240 - I was just defending myself. 1136 01:19:50,560 --> 01:19:53,120 *... 1137 01:19:53,439 --> 01:19:54,760 I'm very sorry. 1138 01:19:55,479 --> 01:19:57,040 I didn't mean to. 1139 01:19:57,360 --> 01:19:58,680 I'm very sorry. 1140 01:20:02,200 --> 01:20:03,600 I didn't mean to. 1141 01:20:05,720 --> 01:20:07,760 - She's dead. - No! 1142 01:20:08,080 --> 01:20:09,120 - I'll call 1143 01:20:09,439 --> 01:20:12,640 an ambulance. I don't know what happened. 1144 01:20:12,960 --> 01:20:15,240 She was completely crazy. 1145 01:20:15,560 --> 01:20:18,360 I thought... Get an ambulance 1146 01:20:18,680 --> 01:20:21,920 at 84, rue du général Crépin, in Sevran. 1147 01:20:22,240 --> 01:20:24,720 Hurry up, it's urgent. 1148 01:20:28,240 --> 01:20:30,120 Siren. 1149 01:20:44,640 --> 01:20:47,640 - Room, top left: clear. 1150 01:20:47,960 --> 01:20:50,920 - No, we don't know how she got into his home. 1151 01:20:51,240 --> 01:20:54,160 *-You don't know. Is that your answer? 1152 01:20:54,479 --> 01:20:58,200 *Our main suspect is dead and you don't know. 1153 01:20:58,520 --> 01:21:01,120 We'll bring you some answers. 1154 01:21:01,439 --> 01:21:02,840 We'll find it. 1155 01:21:03,160 --> 01:21:06,479 *-No, you're not going to find it, you find it! 1156 01:21:06,800 --> 01:21:10,280 *I want an answer soon! Very good, 1157 01:21:10,600 --> 01:21:14,040 Madame Prosecutor. You'll have a report in the morning. 1158 01:21:14,360 --> 01:21:17,000 *-I'm counting on you, Commander. 1159 01:21:17,320 --> 01:22:12,280 ... 1160 01:22:12,600 --> 01:22:14,800 - Alex, come down to the cellar. 1161 01:22:15,120 --> 01:22:15,960 - I'm on my way. 1162 01:22:20,439 --> 01:22:21,640 - Here I am! 1163 01:22:22,720 --> 01:22:23,720 Come and see. 1164 01:22:28,360 --> 01:22:29,360 - Oh, fuck. 1165 01:22:34,040 --> 01:22:36,040 - She was already there. 1166 01:22:36,360 --> 01:22:38,040 She was waiting for him. 1167 01:22:38,800 --> 01:22:39,600 Take a look. 1168 01:22:43,040 --> 01:22:46,479 The whole time we were looking for Charlotte Vallet, 1169 01:22:46,800 --> 01:22:49,160 was she at Françon's house? Yes. 1170 01:22:49,479 --> 01:22:53,400 I don't even understand how it was her idea to do this. 1171 01:22:57,280 --> 01:22:58,280 - She read it. 1172 01:23:02,320 --> 01:23:05,439 In "Visée nocturne", a novel I wrote 1173 01:23:05,760 --> 01:23:07,200 10 years ago. 1174 01:23:07,680 --> 01:23:08,800 Certainly, 1175 01:23:09,120 --> 01:23:12,600 if I had imagined that my novels would serve as a manual... 1176 01:23:18,960 --> 01:23:21,840 All that's left is for me to say goodbye. 1177 01:23:23,040 --> 01:23:24,240 And thank you. 1178 01:23:24,560 --> 01:23:26,080 Thank you both. 1179 01:23:29,439 --> 01:23:32,080 And... He's charming, isn't he? 1180 01:23:33,640 --> 01:23:36,720 I'm sure it would be a good fit, both of you. 1181 01:23:40,439 --> 01:23:42,000 - What did she say? 1182 01:23:42,680 --> 01:23:44,720 - That if I walked, it might get better. 1183 01:23:45,040 --> 01:23:46,640 - Uh huh. 1184 01:23:47,840 --> 01:23:49,640 - Yes, it's weird. 1185 01:23:51,200 --> 01:23:53,720 Captain, about that, I... 1186 01:23:54,439 --> 01:23:56,600 You've read the new ending 1187 01:23:56,920 --> 01:23:58,400 of the novel? 1188 01:24:00,040 --> 01:24:01,920 - Yes. - I think it's great 1189 01:24:02,240 --> 01:24:05,600 that Jason and Barbara don't end up together. 1190 01:24:05,920 --> 01:24:08,040 - Really? - Yes. Don't you? 1191 01:24:08,360 --> 01:24:10,040 - Well, no. 1192 01:24:10,360 --> 01:24:12,320 - It's more realistic. 1193 01:24:12,640 --> 01:24:17,240 Didn't you believe it? - No, I preferred the other ending. 1194 01:24:17,560 --> 01:24:22,520 - I thought it was such a cliché. - OK. Maybe I'm a cliché. 1195 01:24:22,840 --> 01:24:25,520 - You like endings at sunset, with your wife at your side, 1196 01:24:25,840 --> 01:24:28,760 and the Amazon in the background? 1197 01:24:29,080 --> 01:24:30,200 You like that? 1198 01:24:33,080 --> 01:24:36,560 - Well, I... Yes. Maybe that's just the way I am. 1199 01:24:38,479 --> 01:24:39,479 - All right. 1200 01:24:43,640 --> 01:24:46,880 - I'm the kind of person to make declarations. 1201 01:24:57,560 --> 01:24:58,439 I... 1202 01:24:59,360 --> 01:25:02,880 - Captain, the evidence from Françon 1203 01:25:03,200 --> 01:25:04,840 has arrived. 1204 01:25:05,160 --> 01:25:08,240 You'll look at them before they go to the lab? 1205 01:25:11,840 --> 01:25:12,840 Captain... 1206 01:25:13,160 --> 01:25:13,920 - I... 1207 01:25:14,240 --> 01:25:18,320 There are also statements to sign establishing self-defense. 1208 01:25:18,640 --> 01:25:20,360 - Yes. - Come on, then. 1209 01:25:20,680 --> 01:25:21,800 - Of course. Yes? 1210 01:25:22,120 --> 01:25:23,040 - Yes. Yes? 1211 01:25:24,600 --> 01:25:25,800 - Oh, fuck! 1212 01:25:26,560 --> 01:25:30,640 Why don't you do it yourself? We were only two seconds away! 1213 01:25:32,479 --> 01:25:34,360 In short, what is it? 1214 01:25:36,520 --> 01:25:38,840 - We need a signature here. 1215 01:25:41,320 --> 01:25:43,439 Very good. And there too. 1216 01:25:44,360 --> 01:25:46,479 Here we go, we're not done yet. 1217 01:25:52,320 --> 01:25:55,040 - Captain, see this blue ribbon? 1218 01:25:55,360 --> 01:25:59,280 - It's in a painting by Raphael, "La Fornarina". 1219 01:25:59,600 --> 01:26:01,320 Take a look. 1220 01:26:01,640 --> 01:26:04,160 Here, this blue ribbon on her arm. 1221 01:26:05,439 --> 01:26:07,680 Is it the same one? - Yes. 1222 01:26:08,000 --> 01:26:09,560 Definitely. 1223 01:26:09,880 --> 01:26:12,720 From whom? - Er... "From Thierry Françon." 1224 01:26:14,400 --> 01:26:16,439 - From Françon? - Yeah. 1225 01:26:17,400 --> 01:26:19,960 - He wasn't working on Raphaël. 1226 01:26:26,560 --> 01:26:27,560 - Yes, thank you. 1227 01:26:32,560 --> 01:26:33,560 An invoice 1228 01:26:33,880 --> 01:26:35,720 for 1m of ribbon. 1229 01:26:36,040 --> 01:26:39,479 Richter alludes to this ribbon in her book? 1230 01:26:39,800 --> 01:26:42,960 In "Mission Raphaël", does she talk about it? 1231 01:26:44,640 --> 01:26:47,160 - You're right, it rings a bell. 1232 01:26:48,360 --> 01:26:50,800 It rings a bell. It's at the beginning. 1233 01:26:53,640 --> 01:26:55,439 - OK, let me explain. 1234 01:26:55,760 --> 01:27:00,040 La Fornarina was a daughter of the people, with whom he was madly in love. 1235 01:27:00,360 --> 01:27:03,960 As she was a daughter of the people, he couldn't marry her. 1236 01:27:04,280 --> 01:27:07,800 Besides, he was already engaged. Anyway, it doesn't matter. 1237 01:27:08,120 --> 01:27:11,320 Take a look. You see this ribbon with 1238 01:27:11,640 --> 01:27:13,439 "Raphael"? Raphaël. 1239 01:27:13,760 --> 01:27:17,520 It's a way of saying: "You're mine." I don't say it right, 1240 01:27:17,840 --> 01:27:21,520 but you get the idea. It's... a painting wedding. 1241 01:27:21,840 --> 01:27:25,160 - Here: "He strangles a jealous lunatic chick 1242 01:27:25,479 --> 01:27:29,640 "with this ribbon." - "To shout to the world that she was 1243 01:27:29,960 --> 01:27:31,280 "for him." "For him." 1244 01:27:33,960 --> 01:27:34,960 Oh, boy! 1245 01:27:50,920 --> 01:27:53,360 I've given the staff the day off. 1246 01:27:53,680 --> 01:27:57,920 I couldn't find the proper glasses. - What are we celebrating? 1247 01:27:58,560 --> 01:28:01,120 What ending do we keep for Danavan? 1248 01:28:01,439 --> 01:28:05,479 - Have a look. This is the copy that we didn't send to the killer. 1249 01:28:05,800 --> 01:28:10,800 The only copy where Danavan is saved in the end. 1250 01:28:13,439 --> 01:28:14,240 - Fuck! 1251 01:28:16,800 --> 01:28:18,920 Françon is the murderer. 1252 01:28:19,240 --> 01:28:21,160 - He hated Bergman. 1253 01:28:21,479 --> 01:28:24,280 - Time to move on to something else. 1254 01:28:27,680 --> 01:28:31,240 He knew he would be the first suspect. 1255 01:28:36,960 --> 01:28:39,439 He put us there on purpose 1256 01:28:39,760 --> 01:28:41,640 on the wrong track. 1257 01:28:44,840 --> 01:28:46,000 - Charlotte Vallet. 1258 01:28:46,320 --> 01:28:50,439 - A woman a little out of her depth, a little isolated. It was perfect. 1259 01:28:50,760 --> 01:28:54,120 He found an excuse to go to her house. 1260 01:28:54,920 --> 01:28:57,840 He told her about the death of Danavan. 1261 01:28:58,160 --> 01:29:01,240 He sent her to the Louvre following the tracks 1262 01:29:01,560 --> 01:29:02,960 of her hero. 1263 01:29:03,280 --> 01:29:46,840 ... 1264 01:29:47,160 --> 01:29:50,840 He kept her for three days. at his house while he knew 1265 01:29:51,160 --> 01:29:53,280 we were going to arrest him. 1266 01:29:55,040 --> 01:29:56,439 And he erased 1267 01:29:56,760 --> 01:29:59,560 his tracks. He was the only witness. 1268 01:30:02,280 --> 01:30:05,120 He kept her locked up and took her out of his cellar 1269 01:30:05,439 --> 01:30:07,640 when he needed her. 1270 01:30:07,960 --> 01:30:26,000 *... 1271 01:30:28,880 --> 01:30:32,720 He never accepted that Richter replaced him with Bergman. 1272 01:30:33,520 --> 01:30:36,840 He considers Danavan to be his creation. 1273 01:30:37,479 --> 01:30:40,680 Now he's going after Richter. 1274 01:30:56,479 --> 01:30:57,800 Phone vibrates. 1275 01:31:04,320 --> 01:31:05,400 - Ah! 1276 01:31:05,720 --> 01:31:07,360 ... 1277 01:31:11,880 --> 01:31:13,320 - No! Ah! 1278 01:31:13,640 --> 01:31:42,479 ... 1279 01:31:42,800 --> 01:31:45,120 - Police! Police! Let her go! Let her go! 1280 01:31:45,439 --> 01:31:48,760 Put your hands on your head, hurry up. 1281 01:31:49,080 --> 01:31:50,400 Turn around! 1282 01:31:52,720 --> 01:31:53,880 Hurry up! 1283 01:31:54,520 --> 01:31:56,960 Sarah, handcuff him. 1284 01:31:58,560 --> 01:32:00,560 Go, Sarah, go. 1285 01:32:03,720 --> 01:32:04,520 - Your arm! 1286 01:32:07,160 --> 01:32:09,200 - Call an ambulance. Hurry! 1287 01:32:12,280 --> 01:32:13,360 - Mme. Richter? 1288 01:32:14,600 --> 01:32:15,600 We're here. 1289 01:32:16,479 --> 01:32:17,560 I'll be fine. 1290 01:32:32,560 --> 01:32:34,560 - (I'm disgusted.) 1291 01:32:35,960 --> 01:32:39,360 - Your father, proud of me? - Yes, he instructed you. 1292 01:32:40,400 --> 01:32:41,600 - She did it. 1293 01:32:42,560 --> 01:32:43,920 She killed him. 1294 01:32:44,240 --> 01:32:45,920 - What? - She killed him. 1295 01:32:46,240 --> 01:32:50,800 Danavan is dead. I feel like I've lost my best friend. 1296 01:32:51,439 --> 01:32:53,600 I'm depressed. But no. 1297 01:32:53,920 --> 01:32:57,120 That's all right. You'll find a better one. 1298 01:32:57,439 --> 01:32:58,560 - Here. - Huh? 1299 01:32:59,240 --> 01:33:02,200 - I'm going to write tickets, it will do me good. 1300 01:33:02,520 --> 01:33:04,479 - A great idea. - Yes. 1301 01:33:06,600 --> 01:33:07,720 It's not so bad 1302 01:33:08,040 --> 01:33:10,040 as an end, in fact. 1303 01:33:10,720 --> 01:33:12,800 - Really? - Yes. 1304 01:33:13,120 --> 01:33:15,960 The new ending's not so bad. 1305 01:33:18,880 --> 01:33:22,280 Barbara doesn't end up with Jason, but he accepts it. 1306 01:33:22,600 --> 01:33:24,479 They're not together, 1307 01:33:24,800 --> 01:33:26,520 but... they... 1308 01:33:27,840 --> 01:33:29,920 They continue to see each other. 1309 01:33:30,240 --> 01:33:33,040 They... 1310 01:33:34,160 --> 01:33:37,640 - They never leave each other. - They don't leave each other, that's it. 1311 01:33:38,840 --> 01:33:40,520 They never leave each other. 1312 01:33:43,720 --> 01:33:44,800 - Here they are. 1313 01:33:45,640 --> 01:33:48,720 It makes me so happy. to see you. 1314 01:33:50,000 --> 01:33:50,840 That's right! 1315 01:33:52,360 --> 01:33:55,840 You were right, they're... - They're surprised, yes. 1316 01:33:56,160 --> 01:33:57,479 It shows. 1317 01:33:57,800 --> 01:34:01,800 - Now that's a surprise. We're delighted to see you. 1318 01:34:02,120 --> 01:34:06,680 - I wasn't going to give up on the team. And plus, now I'm part of it. 1319 01:34:07,000 --> 01:34:08,800 - Really? - Pretty much. 1320 01:34:09,120 --> 01:34:13,160 Just about. Patricia's next novel, well... 1321 01:34:13,479 --> 01:34:16,040 from Mme. Richter,. will take place at OCBC. 1322 01:34:16,360 --> 01:34:20,160 So she'll be spending a bit of time with us to soak it all in, 1323 01:34:20,479 --> 01:34:23,280 for inspiration. - OK. 1324 01:34:23,880 --> 01:34:27,160 - It's good for the service's image. And the wife 1325 01:34:27,479 --> 01:34:30,120 of the minister is an admirer. 1326 01:34:30,439 --> 01:34:34,479 - If she's an admirer... - My investigation will unfold 1327 01:34:34,800 --> 01:34:37,680 in the art world, and I think it's important 1328 01:34:38,000 --> 01:34:40,040 to include an epic 1329 01:34:40,360 --> 01:34:42,760 love story. - Wonderful. 1330 01:34:43,439 --> 01:34:44,320 - An epic love story. 1331 01:34:44,640 --> 01:34:47,520 - How do you... A love story... 1332 01:34:47,840 --> 01:34:51,240 - I'm thinking of resuming the adventure between Jason and Barbara. 1333 01:34:51,880 --> 01:34:55,560 Something tells me their story isn't over yet. 1334 01:34:56,320 --> 01:34:58,800 Excuse me. May I... 1335 01:34:59,120 --> 01:35:01,280 - You're home. You're home. 1336 01:35:02,680 --> 01:35:05,479 Good news, isn't it? - Is this a joke? 1337 01:35:05,800 --> 01:35:08,160 - It'll be fine. - You've got to be kidding me. 1338 01:35:08,479 --> 01:35:09,680 - No, it's going to be 1339 01:35:10,000 --> 01:35:11,600 very nice. 1340 01:35:12,880 --> 01:35:15,000 Go ahead, settle in. 1341 01:35:15,320 --> 01:35:18,560 Just like home. Would you like a coffee? 1342 01:35:19,479 --> 01:35:20,680 - Gladly. 1343 01:35:21,000 --> 01:35:23,160 - I'll bring it to you. 1344 01:35:25,560 --> 01:35:27,920 I'll go... See you soon. 1345 01:35:31,760 --> 01:35:34,120 - That's it, they stick together. 1346 01:35:34,800 --> 01:35:36,040 It's not over yet. 1347 01:35:39,720 --> 01:35:40,640 Hiccup. 1348 01:35:44,920 --> 01:35:48,439 - Commander Dopard had chosen a pearl gray cardigan. 1349 01:35:48,760 --> 01:35:51,320 He didn't want to miss 1350 01:35:51,640 --> 01:35:55,120 this arrest. - The party's over, Chastard. 1351 01:35:55,439 --> 01:35:57,479 Give me back that Raphaël. 1352 01:35:58,800 --> 01:36:00,680 Don't make me shoot. 1353 01:36:01,000 --> 01:36:03,720 - What do you know about Raphaël? 1354 01:36:04,040 --> 01:36:09,040 france.tv access 1355 01:36:09,090 --> 01:36:13,640 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0